A Quote by Marti Noxon

I realized all the writing I love lives in the gray area. — © Marti Noxon
I realized all the writing I love lives in the gray area.
I’m sure there’s some self-help cheese-ball book about the gray area, but I’ve been having this conversation with my friends who are all about the same age and I’m saying, ‘Y’know, life doesn’t happen in black and white.’ The gray area is where you become an adult the medium temperature, the gray area, the place between black and white. That’s the place where life happens.
War's not black and white; it's gray. If you don't fight in the gray area, you're going to lose.
In terms of the themes, I love gray areas. The show is really about what makes someone truly good or what makes someone truly bad, and are we either of those things? 'Loki' is in that gray area.
I love the gray area between right and wrong.
Sometimes love is so intense that it turns into this gray area that borders on hate. That's what happens when the people you love have that type of power over you.
In my teens I saw the world in only black and white. Now I know that most things exist in a certain gray area. Though it took a while to get here, I now call this gray area home. I once believed that participating in a capitalist economy would be the death of me, but now realize that agonizing over the political implications of every move I make isn’t exactly living.
Gray goes with gold. Gray goes with all colors. I've done gray-and-red paintings, and gray and orange go so well together. It takes a long time to make gray because gray has a little bit of color in it.
I've struggled with gender norms my whole life, always feeling like I wasn't black-and-white; I was in this gray area, and gray areas really scare people because you can't define them.
There's a gray area there that I'm satisfied is not gray.
I was never unhappy with the shows. I didn't get into [the writing]. I had an area. My area was my character. My area was what they gave me to do.
Everything is not black-and-white . I'm really interested in the gray area - not justifying it, not glorifying it, not condoning it, but at least having people see there's a genesis for every event in our lives. There's some divine order to it, whether it's ugly or beautiful.
Everything is not black-and-white. I'm really interested in the gray area - not justifying it, not glorifying it, not condoning it, but at least having people see there's a genesis for every event in our lives. There's some divine order to it, whether it's ugly or beautiful.
People hate me, or they love me. There's nothing in between. There is no gray area.
I've tried doing so, for it was never my intention to paint only with gray. But in the course of my work I have eliminated one color after another, and what has remained is gray, gray, gray!
When I started writing short stories, I thought I was writing a novel. I had like 60 or 70 pages. And what I realized was that I don't write inner monologue. I don't want to talk about what somebody is thinking or feeling. I wanted to try to show it in an interesting way. And so what I realized was that I was really writing a screenplay.
I grew up in Hong Kong, and London used to seem very gray: the sky was gray, the buildings were gray, the food was incredibly gray - the food had, like, new kinds of grayness specially invented for it.
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