A Quote by Marti Noxon

You can be a sophisticated person and still have really old ideas about what love is supposed to look like. — © Marti Noxon
You can be a sophisticated person and still have really old ideas about what love is supposed to look like.
I don't really have guilty pleasures. I like what I like, and I don't worry too much about whether it's supposed to be cool or sophisticated or show that I have good or bad taste or whatever.
How are we supposed to get old? What am I supposed to do? Am I supposed to get old? My kids tell me, 'We want you to look like a grandmother.' I agree with them. I want to look like a grandmother.
I still love the game. I still feel like I'm a 25-year-old. I really still love the game and feel as enthusiastic about the game as I ever have felt about it.
I feel like we're so limited by the context at which we look at life. The way we look at who we're supposed to be and how we're supposed to love... everything. I feel like that, in and of itself, is a project of a lifetime: the problem of how to break out of the limiting context that is imposed upon us by the educational system, by the church, by our parents... As a kid I rejected it without even thinking about it. Now that I'm a little older, I see how deeply destructive it really is.
I know I'm supposed to say ageing doesn't bother me, then suddenly you're like, 'Yeah, I care about it, I really worry about it. I'm getting old. I'm old!'
I see life everywhere I look. I get the energy off the water. Hawaii really, when I am there, it feels like how we are supposed to live and how it's supposed to be: slower, just appreciating our surroundings. I love the people there and the aloha, the history. They're really rooted in something.
I like creating these moments where there's this dichotomy between something that repels you but is still so attractive that you can't stop looking. You still want to acquire it; there's still that level of aspiration for the image of the figure or the person you're looking at. when you look at the work there's this, "Oh it's really beautifully rendered!" or, "I love those beautiful tones." There's some aspect that's really attractive but the image itself could be slightly distributing.
I know what love is. When you find the person you are supposed to love, bells ring and fireworks go off in your head and you can't find the words to speak and you think about him all the time. When you find the person you are supposed to love, you will know by staring deeply into their eyes.
I think it's still kind of weird to memorize a line, because you're supposed to 'be' this person, you know? So then its like, if I'm really this person, how can I be in the moment if I know there's just one line I'm supposed to say? It doesn't feel natural. I always just kind of want to say whatever comes up.
We've all got a lot of catching up to do. I'm still learning how to act, for god's sake. When I see these old-timers on the Turner Classic Movies, I still get ideas, you know. That's where you really learn acting. If you really see some of these old boys working it and you say to yourself, "My God, if I could really do that that would be wonderful."
Acceptance and assimilation, you know, breeds mediocrity and perhaps an even more sheep-like conformism in terms of what kind of music you're supposed to listen to if you're gay... What are you supposed to look like? What's your body supposed to look like?
I used to love you I still do So Selfish I love the old you The you that didnt shoot drugs ...The you that didnt get beat on by men You laugh in my face and call me a fool But its true I still love you Sometimes,I can see the old you When your eyes flash When you almost look alive
I am just pitifully nostalgic. I can't help but roll my eyes at myself frequently. I mean, I still shoot black-and-white film. And I am constantly reminiscing about the 'good old days.' I'm 28 years old. There haven't even been that many 'good old days.' But still, I love to look back.
I think so many people give us ideas of what we are. I think as women especially, because we're sensitive by nature, we're more vulnerable, we absorb other people's ideas about what we're supposed to think or who we're supposed to be and how we're supposed to act.
I look to the women who epitomize old Hollywood glamour, like Rita Hayworth. She had a way of making sophisticated clothes look sexy without ever seeming sleazy or cheap.
Jesus doesn't say, "The religion founded in my name is the way, the truth, and the life, [and] what people say about me is the way." "Our way of worship, the Christian structure, is not the way," [he would say,] "I am. I am. If you want to know what life is all about, what it's supposed to be, where it's supposed to go, where it's supposed to derive its strength from, don't look at anything people say about me. Don't look at the faith that's been created. Look at my life, which is a life ultimately of sacrificial love."
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