A Quote by Martial

My poems are naughty, but my life is pure. — © Martial
My poems are naughty, but my life is pure.
I used to get in trouble a lot in school because I would write very naughty stories and poems in class.
I was naughty. I wasn't bad. Bad is hurting people, doing evil. Naughty is not hurting anyone. Naughty is being amusing.
There is nothing “still” in the remarkably visceral poems of Alexander Long's third collection, Still Life, and nothing is at rest in these restless and edgy poems. Conversational and kinetic, these poems chart the traces left by the shifting overlays of the templates of literature, rock-and-roll, and contemporary culture. As each poem in Still Life attempts to fix a focus upon a scene or subject, the protean natures under view draw the poet into the eddies and complexities of reflection. This is a powerful and moving collection of poems.
Mozart was a punk, which people seem to forget. He was a naughty, naughty boy.
I was called a naughty girl only because I was singing naughty songs.
We must go out to Pure Life, Pure Truth, Pure Love, and that is the definition of God. He is the ultimate goal of life; from Him we came, and in Him alone do we find our peace.
Q was naughty, you know? He's naughty. He's not evil. He's not all good. He's sort of bad. You get to play him the way you role out of bed in the morning.
The poem in Where Good Swimmers Drown are love poems. But love poems that defy the divisions between emotion and intellect, private and public, life and art, writer and reader. To read Elbe's poems is to discover not only what it means to be in love, but what it means to be alive.
I think my biggest appeal for fans is probably the fact that I'm honest. I'm up front about who I am. I'm a little naughty. I have a naughty side and everybody knows that. But I know when to use that and when not to.
I've reached a point in life where it would be easy to let down my guard and write simple imagistic poems. But I don't want to write poems that aren't necessary. I want to write poems that matter, that have an interesting point of view.
Tallulah [Bankhead] was the foremost naughty girl of her era but, in those days, "naughty" meant piquant, whereas values have so changed that now, in the 1970s, it generally means nauseating.
Southern poets are still writing narrative poems, poems in forms, dramatic poems.
I don't think all poems need to be written in conversational language - those are often great poems but there should also be poems of incoherent bewilderment and muddled mystery.
Little girls as children, I think, are expected to behave better. If a boy's naughty at school, he's a little bit cheeky and mischievous. If a girl's naughty, she's trouble.
My obsessions tend to cluster, so I often have families of poems in which only a couple of them make it to the book. It can be satisfying to banish poems to my "crappy poems" file.
People have explored these questions ['Why am I here?', 'What is life about?'] in poems, not that they found their answers, but in reading [poems], I think, you find a certain beauty in the questioning, and that is then poetry.
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