A Quote by Martial
Make it a point not to be over-fascinating.
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I'm interested in playing Rasputin at some point. I find him such a fascinating character and a fascinating period in Russian history. Either Rasputin or Jesus. I think I have more of a chance to play Rasputin.
It's fascinating to watch the progress that is made during previews. The coolest thing is watching the actors take over the show, and make it there own.
Every lecture should state one main point and repeat it over and over, like a theme with variations. An audience is like a herd of cows, moving slowly in the direction they are being driven towards. If we make one point, we have a good chance that the audience will take the right direction; if we make several points, then the cows will scatter all over the field. The audience will lose interest and everyone will go back to the thoughts they interrupted in order to come to our lecture.
NASA is an utterly fascinating place, and the fact that the buildings look so anonymous almost make it more fascinating. You walk by a generic office-park-looking building, and you have no idea what's going on inside.
In the cross-over, you get to a point where you realize that you've got all this genetic inheritance, and you've got all this social conditioning, but there is a point where you do have to make a choice, and that's the optimist in me: you have the freedom to make a choice about how you are going to be, and what you're going to do.
A good photograph was never what I was looking for. I like to have a point. I had to have a point or I didn't have a picture. This is what I've always found so fascinating about paparazzi pictures. They catch something unintended, on the wing... they get that thing. It's the revelation of personality.
Any working cartoonist will tell you this, anybody who's working in a creative field: at some point, it's a job. You have deadlines. I think, for over a year, I refused to make them for publications, because I only wanted to make them when I wanted to make them. But at some point, I was like, "This is crazy, you have an opportunity to be a professional cartoonist.
The pessimism of the intellect is the starting point for struggle. It's not the end point, it's the starting point. You have to make something critical to make it meaningful, to make it transformative.
We always think of misdirection as, 'Look over here while I do this over here!' And that's not what it is. You can be looking straight at it, and if you're not thinking about it, you won't process it. I find that fascinating.
The No. 1 quote critics give me is, 'Thom, your work is irrelevant.' Now, that's a fascinating, fascinating comment. Yes, irrelevant to the little subculture, this microculture, of modern art. But here's the point: My art is relevant because it's relevant to 10 million people. That makes me the most relevant artist in this culture.
In a true partnership, the kind worth striving for, the kind worth insisting on, and even, frankly, worth divorcing over, both people try to give as much or even a little more than they get. 'Deserves' is not the point. And 'owes' is certainly not the point. The point is to make the other person as happy as we can, because their happiness adds to ours. The point is -- in the right hands, everything that you give, you get.
One of the most fascinating things about golf is how it reflects the cycle of life. No matter what you shoot - the next day you have to go back to the first tee and begin all over again and make yourself into something.
I've made money over the years by buying into good companies, run by good people, at attractive prices. And I don't try and make it out of buying into the market at one point and selling at another point.
I have this exercise where I force myself to look out from the flower's point of view at these great walloping humans coming down the path, and try, just try and feel it from their point of view because it's a different world to them, a fascinating hard one.
I didn't wake up one day and say, I have to tell O.J.'s Simpson story. But what drew me to it wasn't what people have focused on over the last 20 years - meaning, the question of innocence or guilt, nor the spectacle of the trial. I was more interested in the history that led up to that point in time in 1994, which would help explain what exactly went into making the trial as fascinating as it was.
I'm just so used to music videos or live TV, so to really see something that's scripted and you have to do it over and over again to get every angle - it's fascinating to me. I would love to do a little acting.
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