Of course, in our country, developing in a region with somewhat conservative traditions, women were desperately needed to be more engaged - socially, economically, politically.
It's built into the fabric of this country, you know - oppressing black people socially, politically and economically. They all kind of go hand in hand.
I care less if I can't be part of your scene because I am the scene. I am everything that is.
The artist is the opposite of the politically minded individual, the opposite of the reformer, the opposite of the idealist. The artist does not tinker with the universe, he recreates it out of his own experience and understanding of life.
Not long ago, if you wanted to seize political power in a country you had merely to control the army and the police. Today it is only in the most backward countries that fascist generals, in carrying out a coup d'état, still use tanks. If a country has reached a high degree of industrialization the whole scene changes.... Today a country belongs to the person who controls communications.
And so everything I see in this world, it all moves backward and forward at the same time, like a black-smith's bellows, like everything in my press, turning into its opposite at the command of the red and green buttons, and that's what makes the world go round.
I'm not inherently the most politically or, like, socially conscious rapper, you know? You're not just going to wake up tomorrow and be Common.
Come forward as servants of Islam, organise the people economically, socially, educationally and politically and I am sure that you will be a power that will be accepted by everybody.
My political position springs from my being a novelist. In so far as I am concerned, politics and the novel are an indivisible case and I can categorically state that I became politically committed because I am a novelist, not the opposite.
I stand on the black side of issues, philosophically, politically, socially, and for me to not check that box, I felt like, would be some sort of betrayal of not only who I am but also the community I affiliate with.
So much of the hubris that surrounded conceptual art in the 1950s through '70s was that it had this arrogant presupposition that pointing in and of itself was a creative act. It never rigorously politically and socially analyzed the fact that the luxury to point is something that so many people throughout the world don't have.
The beautiful image today means nothing. It's worthshit. In fact, it's almost as if it has the opposite effect, becauseyou're just like everything else out there.
I am not politically correct. I am all about the facts, I am all about the truth and I am all about Godly pursuits and what this country was built on, and I am not apologetic about it.
The object of the novelist is to keep the reader entirely oblivious of the fact that the author exists - even of the fact he is reading a book.
The public don't want to authorize the internet to become a battleground. We need to do everything we can as a society to keep that a neutral zone, to keep that an economic zone that can reflect our values, both politically, socially, and economically.
[Marx] explicates ideology as socially determined, [Stirner] as psychologically determined: both accuse it of remaining oblivious to its own determinations.