A Quote by Martie Maguire

We came out of bluegrass, so we could play. — © Martie Maguire
We came out of bluegrass, so we could play.
The music has to come from bluegrass first. We always said back in the 70s that if you want to play newgrass you have to go through the school of bluegrass. You know, maybe Jack Black can make a movie now called School of Bluegrass . That would be cool.
No I don't play bluegrass harmonica or anything like that. I don't listen to country or bluegrass records.
You may not hear much bluegrass on the surface of my music, but I feel the emotion I put in a song comes from bluegrass. Bluegrass taught me to interpret a song, not just sing it.
I hope you came out to hear some bluegrass music. If you didn't, we're both in the wrong place.
I knew I loved playing bluegrass, so I'd end up down there on Sunday nights at the bluegrass jam.
I understood I had to be good at school so I could play football in my free time. Usually, by the time I came home from school, I already had all my things ready for the next day, so I could put my bag on the side and go straight out to play football with my friends!
A lot of great bluegrass comes out of Kentucky. There's a lot of great music, like the Judds, Billy Ray Cyrus, Ricky Skaggs, and Keith Whitley. There's a lot of bluegrass intertwined with country music.
It doesn't matter if you stick the name 'bluegrass' on it. I think people call things bluegrass that I wouldn't necessarily call bluegrass, but what they're calling country music today I'm not sure that I would call country music. But I love music and I try to encourage people.
I have no doubt that most people who listen to Alison Krauss and say they like bluegrass have never heard real bluegrass played in the traditional manner, and probably don't even know who Bill Monroe is.
I could play a cop, I could play a crook, I could play a lawyer, I could play a dentist, I could play an art critic-I could play the guy next door. I am the guy next door. I could play Catholic, Jewish, Protestant. As a matter of fact, when I did The Odd Couple, I would do it a different way each night. On Monday I'd be Jewish, Tuesday Italian, Wednesday Irish-German-and I would mix them up. I did that to amuse myself, and it always worked.
I don't know if I could play 'intimidating' in a way that's physically a tough type, and it feels like since 'Mindhunter' came out, auditions have been much more geared toward more intelligent characters. And that's the kind of stuff I like to play.
Shortly after I started in bluegrass, Ricky Skaggs and I got together and the bluegrass career just snowballed. Being 15 or 16 and making good money playing music was pretty attractive.
I've never landed in a series that I could have dreamt in my life. That's why, when people say, 'Well what are roles you're dying to play?' I say, I don't even have such a list, because everything that's ever been great that I had a shot at came completely out of the blue. I could not have predicted it.
It's true that bluegrass is a virtuosic form and asks that of its performer. Old-time music is older rawer and purer. It's less stylized. We don't solo. Well sometimes we do, but it's different it has more to do with rock-and-roll than bluegrass does.
When the album 'Duke' came out, by Genesis, Phil Collins beat Dad in a drummers poll. My dad got me to learn 'Turn It On Again' by Genesis. I'd play it, and he'd go, 'Do it again,' until I got it right. I'd play it until I nailed it, and then he went, 'I don't see what the big deal is. My 12-year-old son could play that song.'
So our ears got used to listening to jazz in the place that it was that the bass player could not play. No one really realized it and really addressed it until the bass players who could play their instrument came along and started doing something with it.
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