A Quote by Martie Maguire
SXSW is all about the music and the collaboration.
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I love SXSW. I've made three films; they've all premiered at SXSW.
At one level, SXSW exemplifies serendipity, because whenever I come, I get these unexpected meetings with people I never knew existed, and you couldn't have planned it. But by making the choice to come to SXSW, I'm increasing the probability of those encounters.
You really think all of those indie music dorks go to SXSW every year to check out music? They go there to wear their laminates and act important and try to get laid.
Collaboration is being open to each other's ideas and benefiting from each other's perspectives in an open way. Collaboration is all about rewriting and rewriting and rewriting and helping each other to constantly improve a piece. And, it's also about spurring each other on to doing really great, hard work - it's easier to do it in a collaboration than on your own.
To make a collaboration succeed there can be no visible contusions or abrasions. For the collaboration to succeed, the relationship must be nourished and survive. That is absolutely essential for a collaboration to succeed.
For the people that don't know it, we've had members come and go from this band since the beginning. It's always been about collaboration, and it's been about just playing music with our friends.
On any collaboration, you want to respect your music and the other's music.
I think about the collaboration between writers and readers, but I also think about the collaboration between all the writers in a generation or in a country or across time contributing to this massive project of documenting and reimagining our world.
Collaboration is all about rewriting and rewriting and rewriting and helping each other to constantly improve a piece. And, it's also about spurring each other on to doing really great, hard work - it's easier to do it in a collaboration than on your own.
When you're working with other artists, it's often a mix of your ideas with somebody else's, which can be extremely fruitful. But then it's also interesting to present the completely undiluted vision of what I imagine music could be. I care about both my own music and collaboration equally, and I pretty much split my time equally, as well.
The extension of power offered by a pony, the ease and speed of movement, the tapping of unsuspected courage, the satisfaction of collaboration with another creature and of controlling it in order to improve the collaboration, the joy of fussing over it - of loving it - these, from the age of about eight to sixteen were the most completely realised delights of my life.
I don't believe in collaboration necessarily for collaboration's sake, but I will do it, and sometimes it's great.
I trust my work. It's a collaboration with the material, and when it's viewed, it's a collaboration with the world.
It's very nourishing and collaborative - kind of the true essence of what one would want an artistic collaboration to be [the collaboration with Oprah Winfrey].
Collaboration to me is... my favorite collaboration in the theatre is the collaboration between the actors and the audience because it's just that thing that happens when the only thing left that is left on the human scale is that human beings come to look at other human beings act out stories.
Collaboration is part of what keeps me interested in music.
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