A Quote by Martie Maguire

When I look back at some of the Chicks stuff, it's the early stuff we did where we kind of giggle and go, 'You know what? Those were the good old days.' — © Martie Maguire
When I look back at some of the Chicks stuff, it's the early stuff we did where we kind of giggle and go, 'You know what? Those were the good old days.'
I go back to the old school days of that Attitude Era stuff. Everybody knows when I speak of the Attitude Era, my favorite stuff is of the mid-'80s, all that NWA stuff, the World Class stuff, the stuff that Bill Watts was doing.
Sometimes we look back and 10 years from now we think, 'Boy, those were great old days.' Well, you know, we're living in the good old days.
The first time I got into the studio, when I was 17, 18, I got to work with people who were some part of the Cheiron thing, who did all the early Britney Spears stuff, all the early 'NSync stuff.
I look at some of my early stuff - back when I was 12 or 13 years old - and I was already doing cross-hatching back then. I don't know where I picked that up. I think I was in a hurry, and I wanted to shade something really fast, and I tried cross-hatching a shadow.
I just have some restaurants to just go and eat there. Do mean places to watch people? I like to go shopping look for guitars and stuff with my friends. Look at Meyer, great old instruments, talk about pedals and stuff
I just have some restaurants to just go and eat there. Do mean places to watch people? I like to go shopping look for guitars and stuff with my friends. Look at Meyer, great old instruments, talk about pedals and stuff.
Having chicks around is the kind of thing that breaks up the intense training. It gives you relief, and then afterward you go back to the serious stuff.
The Trump phenomenon has a lot of really good stuff in it, the anti-elitism, the concern for America's economy in the Rust Belt, the desire to see better days for the country. That's all great stuff. Some of that stuff is Bernie Sanders stuff. The problem is that it's marbled through with xenophobia and misogyny and bigotry.
I can look back at stuff I wrote in my early days and squirm at some of the mistakes I made. But we're all learning every day; we never stop. I just hope people keep on liking what I do. That gives me such a kick.
If you just say that, look at all the good stuff and you don't acknowledge the toxic stuff, you're wrong. If you're only looking at toxic stuff and don't recognize there's going to be some good stuff if you're for infrastructure or whatever, you're wrong.
You look back at a time you idealize now and you only remember the good stuff. You tell the stories about the hard stuff and just laugh about it now. You don't remember how difficult it was to be stranded in Austin after driving 52 hours from Seattle in a rainstorm and having nowhere to stay for five hours. You remember that stuff and laugh about it now. You don't feel it the way you did back then when you were so scared and nervous and tired and hungry. We always idealize the past because we don't feel the painful stuff the way we used to.
You know, if you look all my stuff... If you go back to 'Saturday Night Live,' my stuff always has music, even a bunch of my comedy stuff - like in 'Shrek,' the donkey is always singing. Music is always there.
Like to me, I did the 'Harajuku' stuff. I did the crazy stuff. And now I kind of want to tone that back, and it's not toning my personality back, it's just showing like I don't only have to do that.
I'm trolling through the recesses of my mind for the things I did with my kids when they used to like to do things with me. They don't want to be around me now. I look back on these times - all those little funny pottery dishes that you'd pay for, and they'd paint, and they were ugly, and you glazed them, and you'd go back, pick them up, and it's like, "Oh, now I've got to put this on my desk." There's all that kind of stuff.
When I look back at 19, coming here to Chicago, some of the things that were said, some of the stuff that you deal with - at 19 years old, it's a lot of pressure.
I like to go on stage with a variety, with some stuff that's been around for a handful of years, some stuff from the last year, some stuff is from last week, and some stuff is brand spanking new. Those are the moments that excite me - when I'm coming up to a brand new bit. The more virgin the snow, the more fun it is to run on.
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