A Quote by Martie Maguire

When, no matter what you do, everybody's going to punch holes in it, then you just go and you do what you want. And that's the most freeing place to be. — © Martie Maguire
When, no matter what you do, everybody's going to punch holes in it, then you just go and you do what you want. And that's the most freeing place to be.
For me it's really tough because you have to go to that place where you really, really don't want to go to or revisit. After the first movie, when I was crying at the altar, whenever I would think about it, I would get chills for months after the first "Best Man" because I had to go to that place. And then, here we are with this one, and we are going to that place again. It's just extremely emotional to just have to keep revisiting it, but it can also be therapeutic.
It's just the environment that we're in right now. There's a lot of people who still don't want to believe that the program we have in place is a good program, and that it's going to work. They're just trying to find a way to shoot holes in it.
What do you mean, what's the matter with him? Nothing's the matter with him, everything's the matter with him, the same as it is with everybody else. He's just fine. He gets overwhelmed now and then, and he doesn't know how to say what he feels or means, so he cries and runs off a little, trying to find out where to go, for God's sake. Where can you go?
Stories cannot demolish frontiers, but they can punch holes in our mental walls, and through those holes we can get a glimpse of the other and sometimes even like what we see.
I don't think there is anything wrong with watching violence but I just think you have to present it in the appropriate light. I was like just watch how many accidents and deaths horror causes. Whereas I don't think anybody is going to go: "Oh, I just saw The Shining and I think I'm going to go axe somebody!" These movies aren't for everybody. The dark side of anything isn't for everybody. I think that you have to have some sort of responsibility in how you portray it because I always want the violence to seem real and if it seems disgusting then good, because it should.
If you want to train hard enough to go to the Olympics, then you're going to go out, and you're going to do it. It doesn't matter what skin color or who you are.
The heavyweight division, if you land a good, good punch in the right place, everybody is going to fall.
I want to avoid every punch you throw at me, but I'm not scared to get hit. But I'm not just going to let everybody hit me.
I just want to let everybody know that no matter the circumstance it doesn't mean that the outcome is gonna be what the statistic says it's gonna be. You know, I just want to show everybody that no matter what you can make your dreams come true if you work hard. Like, that's my legacy as far as that.
By not foretelling the ending to yourself, as a writer, you're able to open up the canvas and say, "I'm going to go here. I'm going to go there." It's just a little bit more freeing than a stand-alone procedural, where you work backwards from the end.
Before I studied the art, a punch to me was just like a punch, a kick just like a kick. After I learned the art, a punch was no longer a punch, a kick no longer a kick. Now that I've understood the art, a punch is just like a punch, a kick just like a kick. The height of cultivation is really nothing special. It is merely simplicity; the ability to express the utmost with the minimum.
Don't be afraid to be yourself just because you're not like everybody else in class. If you want to dye your hair green and that's what makes you happy, then dye your hair green, no matter what other people might say about it. Not everybody is going to like you - that's the world we live in; that's reality.
When we want to let go of a situation no matter what it is we must be able to "bless" it. When you bless something you sanction it giving it your approval and endorsement freeing it to go forward with your cooperation and support.
The reality is the only place a company's culture is going to start and end is at the beginning of that company. And it always starts with the founders. So if you can't create an environment of founders and founding employees who are going to represent the company you want, then you are never going to get there. You have to look at your own network and find what you are missing. So if you don't have a female or someone who has an international perspective or a person with a bio degree, but those perspectives matter to the firm or product you want to create, then it's never going to work out.
Boxing is what you make it. If you want to make it exciting, if you want to make it something where people are going to look and say, "Wow! Look at the guy. Who does he think he is?" You can do that. If you just want to go in there, punch each other, and then shake hands at the end of the night. You can do that, too. I know what I would rather pay money to see. Some people enjoy it, some despise it. Whether people like it or hate it, they still buy a ticket. We want boxing to be centre stage and you can't have that with guys who don't excite.
L.A. was just an inspiring kind of place to be. It felt like going to Paris in the Twenties and Thirties. Everybody's there. Everybody's hanging around. Everybody's talking about music.
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