A Quote by Martin Amis
It seems to me that you need a lot of courage, or a lot of something, to enter into others, into other people. We all think that everyone else lives in fortresses, in fastnesses: behind moats, behind sheer walls studded with spikes and broken glass. But in fact we inhabit much punier structures. We are, as it turns out, all jerry-built. Or not even. You can just stick your head under the flap of the tent and crawl right in. If you get the okay.
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My hair was so much a part of my personality and all my photo shoots. I hid behind my hair. And then, I just decided I was okay with myself. To have short hair and really show my face is even more revealing than anything. It's a statement - not to everyone else, more to myself. I'm just ready to get out from behind my hair and be myself.
Sometimes sense hides behind walls. You must find a window and stick your head right in before you can see it.
I think it's very important for everyone in America to realize right now the state of our country, not just on this issue but on a lot of issues, that it is time to get active again. People have just sat back and just sort of said, oh, let somebody else do it for a long time, and we're seeing what's happening to the country, even freedom of speech. It's not going well. So I think this is a real opportunity for people to see, yes, if you do get out and you do get active, there are other people there. You just have to seek them out.
I think I've always had an activist stance, yet at the same time, the other side of me - and this is where some people just don't get it, or they'd prefer it if the work was a lot uglier, a lot louder - I have this personality where I just want to put something out that's a fact and then let you interpret it. It's almost as if you might barely notice it, you might walk right by it, but you have to pay attention.
I don't know about England so much, but in Germany and some of these other countries, the pink was something that they liked. For those kids, the pink and black and the whole look with the sunglasses and the leather jacket was the right kind of hero they could get behind, and I think that really set me apart from everyone else.
People think it is such an easy life, and you just go get ready, and someone does your hair and make up, and all you have to do is say a few dialogues. But there is lot more behind it. You are getting into a particular frame of mind to get into a scene; you have to get your emotion right.
A nursery rhyme shapes your bones and nerves, and it shapes your mind. They are powerful, nursery rhymes, and immensely old, and not toys, even though they are for children." "But they make no sense!" Summer protested "Ah, well," said Ben. "Sometimes sense hides behind walls. You must find a window and stick your head right in before you can see it.
What people need to realize is that when I was elected and put in this role, I was breaking a glass ceiling. What I didn't realize at the time was that I was breaking a glass ceiling that was going to fall on my head and leave a lot of shards of glass that I was going to have to crawl over throughout my time as a leader.
Along with a lot of other things, becoming a Bob Dylan fan made me a writer. I was never interested in figuring out what the songs meant. I was interested in figuring out my response to them, and other people's responses. I wanted to get closer to the music than I could by listening to it - I wanted to get inside of it, behind it, and writing about it through it, inside of it, behind it, was my way of doing that.
I can put my legs behind my head, but that's pretty much it. An early agent said to me, 'If you can put your legs behind your head, let's say you're a contortionist!' So I got sent out for everything twisty and bendy. It's a good conversation starter.
The thing is, even though you think a lot about your movie, and there's a lot of preparation behind it, the final end result completely goes beyond it. It's not something you're aware of.
People will then often say, 'But surely it's better to remain an Agnostic just in case?' This, to me, suggests such a level of silliness and muddle that I usually edge out of the conversation rather than get sucked into it. (If it turns out that I've been wrong all along, and there is in fact a god, and if it further turned out that this kind of legalistic, cross-your-fingers-behind-your-back, Clintonian hair-splitting impressed him, then I think I would choose not to worship him anyway.)
I can put my legs behind my head. That's a fun fact that not a lot of people know!
I lifted my right foot to step up into the bus and collided head on with an invisible force that entered my awareness like a silently exploding stick of dynamite blowing the door of my usual consciousness open and off its hinges, splitting me in two. In the gaping space that appeared, what I had previously called "me" was forcefully pushed out of its usual location inside me into a new location that was approximately a foot behind and to the left of my head. "I" was now behind my body, looking out at the world without using the body's eyes.
It's the sense of touch. In any real city, you walk, you know? You brush past people, people bump into you. In L.A., nobody touches you. We're always behind this metal and glass. I think we miss that touch so much, that we crash into each other, just so we can feel something.
I think a lot of things can be misconstrued in a lot of ways. And I think if people open their minds more, and they try to look deeper into something than just something that is a very big, hot, fiery button to hide behind...I think if people looked into something bigger that I was trying to speak upon, they wouldn't be so easy to fire back silly, miscellaneous things.
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