A Quote by Martin Amis

In the concordance of Nicola Six's kisses there were many subheads and subsections, many genres and phyla - chapter and verse, cross-references, multiple citations.
The biggest misconception about us is that we're just a rock band. We think our music is a cross-section of many genres; a hybrid of what the six of us have grown up on.
The real Stephen Colbert is a practicing Catholic. He teaches Sunday school. He can recite chapter and verse of chapter and verse - from both the King James Bible and 'The Lord of the Rings.'
There are several cool cross-overs between 'Blue Shift,' 'Opposing Force' and 'Half-Life.' The plots are all designed to work nicely with themselves and the observant player will catch many cross-references.
When I was a kid, I read many of my mom's books. Sometimes, there were mysteries, but there were no delineations, and my mother never talked about book genres. Nor did we differentiate genres in school.
Click, clack, click, clack, went their conversation, like so many knitting-needles, purl, plain, purl, plain, achieving a complex pattern of references, cross-references, Christian names, nicknames, and fleeting allusions.
It's really interesting to just look at the career of a musician and a producer that went into many different genres and many different styles and many different places but always breaking the barriers between genres and at some point reinventing himself all along the way but also inventing things at the same time.
I try to cross as many genres as possible with the same attitude. I want every song to be very clear.
We thus begin to see that the institutionalized practice of citations and references in the sphere of learning is not a trivial matter. While many a general reader-that is, the lay reader located outside the domain of science and scholarship-may regard the lowly footnote or the remote endnote or the bibliographic parenthesis as a dispensable nuisance, it can be argued that these are in truth central to the incentive system and an underlying sense of distributive justice that do much to energize the advancement of knowledge.
Why did the warrior cross the road? [Koldo] That’s easy. To kill the guy on the other side. [Nicola] A bud of amusement had her smiling. Knock, knock. [Koldo] Who’s there? [Nicola] Donut. Donut who? Donut run from me, puny girl.
The idea was to study fertilization in as many different phyla and organisms as possible, using the simplest possible equipment and a microscope. Biochemical approaches were not much in vogue, and running gels impossible at first.
I love music, of course, and many, many, many genres. There are hardly any songs I would say that I hate. There's a couple, and I don't even know exactly why I don't like them.
It's true, there aren't many explicit references to Canada in my book. And not many explicit references to the U.S., either. I try to fill my poems with enough real, observed detail that the poems create a believable world - but I don't write poems for the sake of telling my own story. My life is not important or interesting enough to warrant that kind of documentary. Instead I try to use my experience as a way of understanding situations that are common to many people. I want readers to project their own lives onto my poems.
I like so many kinds of music, and I work with so many kinds of music as a producer. When you work in 14 different genres, I find myself writing in those genres.
I've always written pop songs. I tend to take inspiration from more experimental genres, like ambient music, but at the root of the song, it's verse-chorus-verse.
That was something that I learned from Alan Ball from “Six Feet Under." He didn”t really like to have too many pop culture references because they don”t really hold up after a few years.
I had so many freckles that my mother used to say that they were kisses from the angels. I still have them.
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