A Quote by Martin Amis

It is terrible to see someone being beaten up by the English language. — © Martin Amis
It is terrible to see someone being beaten up by the English language.
Little girls do not wake up in the morning and say "I dream of being a prostitute." It is a terrible, terrible life. Body invasion is more traumatic than even getting beaten up. In certain circumstances, obviously, it may be a way to survive.
I have a funny relationship to language. When I came to California when I was three I spoke Urdu fluently and I didn't speak a word of English. Within a few months I lost all my Urdu and spoke only English and then I learned Urdu all over again when I was nine. Urdu is my first language but it's not as good as my English and it's sort of become my third language. English is my best language but was the second language I learned.
Why don't we actually fight for a woman's right even to complain about being beaten up. That is more important than driving. If a woman is beaten, they are told to go back to their homes - their fathers, husbands, brothers - to be beaten up again and locked up in the house.
James Joyce's English was based on the rhythm of the Irish language. He wrote things that shocked English language speakers but he was thinking in Gaelic. I've sung songs that if they were in English, would have been banned too. The psyche of the Irish language is completely different to the English-speaking world.
I am a part of the old school where I feel that purity of the language should be retained. But English is a constantly evolving language where new words are being added to the dictionary, so I don't see any harm in experimenting with the language. Only poor editing standards need to be improved.
Of course, English is a very powerful language, a colonizer's language and a gift to a writer. English has destroyed and sucked up the languages of other cultures - its cruelty is its vitality.
English is not the primary language for universities in China, Korea, and Japan, but they are being evaluated on the basis of publications in English and courses taught in English.
I spent ten years in London; I trained there. But because I started in English, it kind of feels the most natural to me, to act in English, which is a strange thing. My language is Spanish; I grew up in Argentina. I speak to my family in Spanish, but if you were to ask me what language I connect with, it'd be English in some weird way.
I hate when I see someone who speaks English speaking to someone who speaks a different language, and they're screaming as if going louder is going to help the other person understand.
The cliché is dead poetry. English, being the language of an imaginative race, abounds in clichés, so that English literature is always in danger of being poisoned by its own secretions.
I grew up listening to people speaking broken English. I probably picked that up. And I probably speak English almost as a second language.
The best time to cry is at night, when the lights are out and someone is being beaten up and screaming for help.
In terms of language, English is very dominant vis-Ã-vis African language. That in itself is a power relationship - between languages and communities - because the English language is a determinant of the ladder to achievement.
The revival of Hebrew, as a spoken language, is a fascinating story, which I'm afraid I cannot squeeze into a few sentences. But, let me give you a clue. Think about Elizabethan English, where the entire English language behaved pretty much like molten lava, like a volcano in mid-eruption. Modern Hebrew has some things in common with Elizabethan English. It is being reshaped and it's expanding very rapidly in various directions. This is not to say that every one of us Israeli writers is a William Shakespeare, but there is a certain similarity to Elizabethan English.
Literature belongs first and foremost to the language in which it is being written. The very same book, even if it is translated very accurately, let's say from Hebrew into English or from English into Hebrew, becomes a different book because language is a musical instrument.
We know from our recent history that English did not come to replace U.S. Indian languages merely because English sounded musical to Indians' ears. Instead, the replacement entailed English-speaking immigrants' killing most Indians by war, murder, and introduced diseases, and the surviving Indians' being pressured into adopting English, the new majority language.
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