A Quote by Martin Amis

Gluttony and sloth, as worldly goals, were quietly usurped by avarice and lust, which, together with poetry (yes, poetry), consumed all my free time. — © Martin Amis
Gluttony and sloth, as worldly goals, were quietly usurped by avarice and lust, which, together with poetry (yes, poetry), consumed all my free time.
My regimen is lust and avarice for exercise, gluttony and sloth for relaxation.
Poetry was syllable and rhythm. Poetry was the measurement of breath. Poetry was time make audible. Poetry evoked the present moment; poetry was the antidote to history. Poetry was language free from habit.
These are the Seven Deadly Sins: Avarice, Envy, Pride, Gluttony, Lust, Anger, Sloth. These are the seven deadly sins: venality, paranoia, insecurity, excess, carnality, contempt, boredom.
The avenues in my neighborhood are Pride, Covetousness and Lust; the cross streets are Anger, Gluttony, Envy and Sloth. I live over on Sloth, and the style on our street is to avoid the other thoroughfares.
A definition of poetry can only determine what poetry should be and not what poetry actually was and is; otherwise the most concise formula would be: Poetry is that which at some time and some place was thus named.
All the seven deadly sins are peccadilloes but without three of them, Pride, Lust, and Sloth, poetry might never have been born.
To different minds, poetry may present different phases. To me, the reverent faith of the people I lived among, and their faithful everyday living, was poetry; blossoms and trees and blue shies were poetry. God himself was poetry.
As to the Seven Deadly Sins, I deplore Pride, Wrath, Lust, Envy and Greed. Gluttony and Sloth I pretty much plan my day around.
Poetry is the most informative of all of the arts because everything comes down to poetry. No matter what it is we are describing, ultimately we use either a metaphor; or we say "that's poetry in motion." You drink a glass of wine and say, "that's poetry in a bottle." Everything is poetry, so I think we come down to emotional information. And that's what poetry conveys.
I myself have never called what I write anti-poetry. I also think that my poetry should not be only known as the poetry of Ernesto Cardenal but rather as Nicaraguan poetry.
What the world wants, what the world is waiting for, is not Modern Poetry or Classical Poetry or Neo-Classical Poetry - but Good Poetry. And the dreadful disreputable doubt, which stirs in my own skeptical mind, is doubt about whether it would really matter much what style a poet chose to write in, in any period, as long as he wrote Good poetry.
I've had the good fortune to read a lot of great American writers in translation, and my absolute beloved, for me one of the greatest writers ever, is Mark Twain. Yes, yes, yes. And Whitman, from whom the whole of 20th-century poetry sprung up. Whitman was the origin of things, someone with a completely different outlook. But I think that he's the father of the new wave in the world's poetry which to this very day is hitting the shore.
That is why I think, in defiance of Plato, that there is at once error and vulgarity in saying that poetry is a lie, except in the sense that Cocteau wrote one day: I am a lie who always tells the truth. The only poetry which lies purely and simply is academic, pseudo-classical, conceptually repetitive poetry, and it is not poetry.
Lust, Pride, Sloth, and Gluttony, or, as we call them these days, "getting in touch with your sexuality," "raising your self-esteem," "relaxation therapy," and "being a recovered bulimic."
I read a lot of poetry. All types of poetry, but mostly Catalan poetry, because I believe poetry is the essence of language. Reading the classics, be they medieval or contemporary, gives me a stylistic energy that I'm very interested in.
Poetry gets to be the poetry of life by successfully becoming first the poetry of poetry.
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