A Quote by Martin Amis
He was an artist when he saw society: it never crossed his mind that society had to be like this; had any right, had any business being like this. A car in the street. Why? Why cars? This is what an artist has to be: harassed to the point of insanity or stupefaction by first principles.
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I never had any ambition to do anything commercial, anything journalistic. I wanted to be an artist, and I wanted to be an artist whose work was done in the medium of photography. It may be debatable to this day whether I ever succeeded in achieving that ambition, but the point is, I never had any uncertainty about that.
How many cars out there look like Corvettes? You want something nobody else has. You don't want an old look-alike thing, and that's why Corvettes have the reputation of being one of the fastest cars. I've always had good cars, and a Corvette is one of the best cars I've had. I've had Lamborghinis, I've had Ferraris, I've had Stutz Blackhawks. You name it, I've had them. For the money, Corvette is tops.
The reason why I'm popular as an artist in this country is because it suits the psyche of the nation at this time. Ten years ago, my work wouldn't have had any currency, any popularity at all. Before in this country, you had to be accepted. You had to be part of the group. Now it's probably more trendy to have a problem.
There is a very broad theory that society gets the right to hang, as the individual gets the right to defend himself. Suppose she does; there are certain principles which limit this right. Society has got the murderer within four walls; he never can do any more harm. Has society any need to take that man's life to protect itself? If any society has only the right that the individual has, she has no right to inflict the penalty of death, because she can effectually restrain the individual from ever again committing his offence.
But, finally, I had to open my eyes. I had to stop keeping secrets. The truth, thankfully, is insistent. What I saw then made action necessary. I had to see people for who they were. I had to understand why I made the choices I did. Why I had given them my loyalty. I had to make changed. I had to stop allowing love to be dangerous. I had to learn how to protect myself. But first… I had to look
And, because my role in society - or any artist or poet's role - is to try to express what we all feel. Not to tell people how to feel, not as a preacher, not as a leader, but as a reflection of us all. And it's like that's the job of the artist in society, not to...they're not some alienated being living on the outskirts of town. It's fine to live on the outskirts of town, but artists must reflect what we all are. … If that's taken it too much on meself, I feel that artists are that - they're reflections of society... Mirrors.
I never considered myself an artist. I aspire to be an artist, but I never thought I had the depth or substance or gift to be an artist. I do think I have some talent, but it doesn't go as far as being an artist.
You know, I never knew if I had any talent when I started in this business. My first job was being a page at The Tonight Show. I saw Jack Paar come out one night and sit on the edge of his desk and talk about what he'd done the night before. I thought, 'I can do that!' I used to do that on a street corner in the Bronx with all my buddies.
It had never crossed my mind that a man could think he had the right to stop me from being who I was.
You know, I never knew if I had any talent when I started in this business. My first job was being a page at The Tonight Show. I saw Jack Paar come out one night and sit on the edge of his desk and talk about what hed done the night before. I thought, I can do that! I used to do that on a street corner in the Bronx with all my buddies.
I grew up in Africa, in Nigeria. I never knew, I never had any reasonable encounter with football. I saw football on Sky News. I thought there were people dressed like extraterrestrials, you know, like they were going to Mars or something, headgears and shoulder pads. And I wondered why, as a child, why did they have to dress that way.
Jive never saw any value in me as a long-term artist. Even as I was doing it they were like, 'You're not really the kind of artist that we'd spend our money on.' They never saw the value of Too $hort and E-40.
When I was in therapy about two years ago, one day I noticed that I hadn't had any children. And I like children at a distance. I wondered if I'd like them up close. I wondered why I didn't have any. I wondered if it was a mistake, or if I'd done it on purpose, or what. And I noticed my therapist didn't have any children either. He had pictures of his cats on the wall. Framed.
In terms of our foreign policy, that's where we made a mistake after 9/11. Everyone's going, "Why, why, why," and there wasn't any investigation or learning from any of what we had been doing up to that time that had set us up.
My dad was pretty old school. I've had a job since I can remember, and it's not like he was like, 'Hey, what kind of car do you want?' My first car was a '91 Ford Crown Victoria that was $1,000. And I had to buy every car after that. I had to do it all.
I just like cars, period. I can find something to like about pretty much any car. I've had as much fun whipping around Italy in a little Mini Cooper as I've had whipping through Miami in a Bentley GT.
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