A Quote by Martin Amis

He didn't want to please his readers. He wanted to stretch them until they twanged. — © Martin Amis
He didn't want to please his readers. He wanted to stretch them until they twanged.
Please, please, please, please, please...,", squeezing his eyes shut because it somehow made the words more pure.
Cats are impossible to work with. They're just very difficult because you can't really train them. They're not really interested in whatever you want them to do. Dogs want to please you; cats only want to please themselves.
A tough manager will have realistic quotas for his employees that he keeps to himself and aggressively stretch quotas, anywhere from ten percent higher to a lot more, which he imposes on his staff. If his people miss the stretch numbers but exceed the realistic goals, he's happy. If he's a superb manager, he knows how far they can stretch without breaking.
Just as the historian can teach no real history until he has cured his readers of the romantic delusion that the greatness of a queen consists in her being a pretty woman and having her head cut off, so the playwright of the first order can do nothing with his audience until he has cured them of looking at the stage through the keyhole, and sniffing round the theatre as prurient people sniff round the divorce court.
By the time I wrote those first three songs for his new CD ... I wanted to push the poetics as hard as I could push them, and not decide the songs were finished until I committed them to whatever the recording format was. I went through drafts right up until I recorded every single one of them.
Only a very specific kind of writer keeps their reader in mind while working. Such writers don't want to irk their readers; they don't want to challenge their readers; they want to produce exactly what their reader expects them to produce. I'm not like that.
I tried to concentrate on the angel's voice instead. "Bella, please! Bella, listen to me, please, please, please, Bella, please!" he begged. Yes, I wanted to say. Anything. But I couldn't find my lips. "Carlisle!" the angel called, agony in his perfect voice. "Bella, Bella, no, oh please, no, no!" And the angel was sobbing tearless, broken sobs. The angel shouldn't weep, it was wrong. I tried to find him, to tell him everything was fine, but the water was so deep, it was pressing on me, and I couldn't breathe.
I'd read one too many crime novels where the victim was just a name: body number one, dead woman number 12. I understood fear, and I wanted to create characters who made readers say, 'Please, don't hurt this guy.' That's the key to suspense. It's easy to disgust a reader. It's much harder to make them care.
You have to want to dare being a model. You have to dare or you don't go that step further. You have to be willing to stretch - and to not only be willing to stretch, but to want to stretch.
Should a writer single out and point his raillery at particular persons, or satirize the miserable, he might be sure of pleasing a great part of his readers, but must be a very ill man if he could please himself.
Addison writes with the ease of a gentleman. His readers fancy that a wise and accomplished companion is talking to them; so thathe insinuates his sentiments and taste into their minds by an imperceptible influence. Johnson writes like a teacher. He dictates to his readers as if from an academical chair. They attend with awe and admiration; and his precepts are impressed upon them by his commanding eloquence. Addison's style, like a light wine, pleases everybody from the first. Johnson's, like a liquor of more body, seems too strong at first, but, by degrees, is highly relished.
Papa's in a bad way, Locke. I wanted to see you before you saw him - he has some...things he wishes to discuss with you. I want you to know that whatever he asks, I don't want you...for my sake...well, please, just agree. Please him, do you understand?" "No garrista who loves life has ever tried to do otherwise. You think I'm inclined to walk in on a day like today and deliberately twist his breeches? If your father says 'bark like a dog' I say 'What breed, Your Honour?
?"Lay the knife at the tips of your fingers," Rob commanded. "So close youcan feel the blade against your skins. Then cut the shadow away." Jared had been silent in her head. Now Kami turned her mind to his and let his thoughts and feelings flow through her. Kami, please, please wait just another moment, Jared begged, I'll save you, and later I'll be better, I'll do anything you want, be anything you want me to be. Please don't do it.
The ear is the only true writer and the only true reader. I know people who read without hearing the sentence sounds and they were the fastest readers. Eye readers we call them. They get the meaning by glances. But they are bad readers because they miss the best part of what a good writer puts into his work.
We knew that we wanted TheHunger Games to be PG-13 because she wrote the book for readers 12 and up, and we wanted them to be able to see the movie. It's a movie that is meant to be relevant to young people, and not exclude them, in any way.
Let him grow taller,she asked the gods.Let him know sixteen, and twenty, and fifty. Let him grow as tall as his father, and hold his own son in his arms. Please, please, please.
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