A Quote by Martin Amis
It's interesting when you're doing signing sessions with other writers and you look at the queues at each table and you can see definite human types gathering there.... My queue is always full of, you know, wild-eyed sleazebags and people who stare at me very intensely, as if I have some particular message for them. As if I must know that they've been reading me, that this dyad or symbiosis of reader and writer has been so intense that I must somehow know about it.
Related Quotes
In company with people of your own trade you ordinarily speak of other writers' books. The better the writers the less they will speak about what they have written themselves. Joyce was a very great writer and he would only explain what he was doing to jerks. Other writers that he respected were supposed to be able to know what he was doing by reading it.
Could you not give me some sign, or tell me something about you that never changes, or some other way to know you, or thing to know you by?" — "No, Curdie: that would be to keep you from knowing me. You must know me in quite another way from that. It would not be the least use to you or me either if I were to make you know me in that way. It would be but to know the sign of me — not to know me myself.
Let me tell you what is interesting about the administration. We had Central American miners that were placed in Ohio, and we never knew a thing about it. We didn't know where they were. And, in fact, we know now that some of them, there is a case going on where some of them may have been human-trafficked.
People who don't know me, when they see me they kind of step back and just stare at me and say, "Dang, he's a big dude." True fans and guys who follow the sport, they know who I am. But sometimes I do get those people that look at me and kind of stop and just stare at me, which I hate.
It's always a problem when you're working with people you don't really know. Most filmmaking is about shaking hands and just starting. You know, these month - or two-month-long endeavors that millions of dollars are based on, and the people doing them don't even know each other, or know each other under pressure, or know each other when things are really... Which filmmaking is completely done under in many circumstances. You're under constant crisis, making a movie.
What's great about symbols, what a writer can do with them is provide a really vivid, interesting image, and the reader will do the rest of the work. That's always been very interesting to me. Like if I just introduce the storks, I don't have to say what they mean because the reader will do that. And if I bring in the dark history of the region, other trends come up, for example how in ancient Egypt they are associated with the souls of the dead. You can surprise yourself by introducing an image and then see how developing the story fills it with meaning that is suddenly new.
Somehow I know there was something so right about my doing Frankenstein and taking so long over it that I've probably been laying some ghost inside myself. It was a very necessary job for me to do, but it'll take some time to recover from it.
The thing that has disturbed me most about the Russian hacking episode is - and the thing that surprised me most has not been the fact of Russian hacking. The cyber world is full of information gathering, you know, propaganda, et cetera. I have been concerned about the degree to which, in some circles, you've seen people suggest that Vladimir Putin has more credibility than the U.S. government. I think that's something new.
It feels as though a very disproportionate number of main characters are writers, because that's what the writer knows. Fair enough. But nothing bothers me more in a movie than an actor playing a writer, and you just know he's not a writer. Writers recognize other writers. Ethan Hawke is too hot to be a writer.
When I look into the audience, and I just know we understand each other, I can see their faces, and they know what I'm talking about. I feel like I've helped. Everything I've been through in my life, it helps people. Then that makes it worth it.
We must see the face of the Lord .... There are things that God says to me that I know must take place. It doesn't matter what people say. I have been face to face with some of the most trying moments of men's lives when it meant so much to me if I kept the vision, and if I held fast to that which God had said. A man must be in an immovable condition. The voice of God must mean to him more than what he sees, feels, or what people say.
I've been a writer since I was 13. I've been writing scripts and having pitch meetings. So, when I do see people like Brit Marling getting things done, it lets me know that it's possible. It basically just tells me, 'Dude, get to work!' For some reason, I think that I'm not doing enough work.
Whenever I am with a group of kids, I always ask them, 'How many of you know about the summer reading program at your library and how many of you know it's free?' Spreading that sort of message comes very naturally to me.
When I do stand-up around the country, I often see people walk out. This is a show that they've purposely gone to, where my name is on the ticket, and it cost them $75 or something. So, you think, Wow, that means that they either didn't know very much about me when they bought their tickets or they're that offended by what I've said. I've been doing this a long time. Anybody who comes to one of my shows must sort of have an idea of where I'm coming from.
But I must go on," said the Lady Amalthea, "for it is never finished. Even when I wake, I cannot tell what is real, and what I am dreaming as I move and speak and eat my dinner. I remember what cannot have happened, and forget something that is happening to me know. People look at me as though I should know them, and I do know them in the dream, and always the fire draws me nearer, though I am awake—
I know the stars are my home. I learned about them, needed them for survival in terms of navigation. I know where I am when I look up at the sky. I know where I am when I look up at the Moon; it's not just some abstract romantic idea, it's something very real to me. See, I've expanded my home.
Related Authors
Charles Bukowski Quotes
American
Novelist
Charles Dickens Quotes
English
Novelist
Chuck Palahniuk Quotes
American
Novelist
Ernest Hemingway Quotes
American
Novelist
George Eliot Quotes
British
Novelist
George Orwell Quotes
British
Novelist
George R. R. Martin Quotes
American
Novelist
Jane Austen Quotes
British
Novelist
Johann Wolfgang von Goethe Quotes
German
Novelist
Margaret Atwood Quotes
Canadian
Novelist
Nicholas Sparks Quotes
American
Novelist
Paulo Coelho Quotes
Brazilian
Novelist
Sarah Dessen Quotes
American
Novelist
Stephenie Meyer Quotes
American
Novelist
Veronica Roth Quotes
American
Novelist
Victor Hugo Quotes
French
Novelist