A Quote by Martin Amis
You see tragedy requires persons of heroic stature. It works on the principle of people being more than humansuper-humanand also being only too human. But there just aren't many great figures around now, so the tragic mechanisms can't work.
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There are so many causes. Gun control, climate change, deforestation, animal welfare, human welfare, education. Working on the big issues is noble and great, but being aware of what’s going on around you right at this moment, being kind to the people around you, extending compassion and decency, not just to everyone you meet but also to yourself—I think that’s one of the biggest challenges most people face.
People often criticize my films for being pessimistic; there are certainly many reasons for being pessimistic but I don’t see my films that way. They’re founded in the belief that revolution doesn’t belong on the cinema screen but outside in the world. Never mind if a film ends pessimistically but exposes certain mechanisms clearly enough to show people how they work and the ultimate effect is not pessimistic. My goal is to reveal such mechanisms in a way that makes people realize the necessity of changing their own reality.
Musicians, actors, writers - we're all neurotic, odd people who've lucked into accidental careers. So I just don't like being around public figures with that sense of entitlement, it just seems unhealthy, and it strips so much potential for them to develop as a human being.
I believe in recognizing every human being as a human being--neither white, black, brown, or red; and when you are dealing with humanity as a family there's no question of integration or intermarriage. It's just one human being marrying another human being or one human being living around and with another human being.
People expect artists to be too normal, I think. I've been around enough of them now to see that they're very extraordinary human beings who behave differently than ordinary human beings. If they weren't as sensitive as they are, they wouldn't be great artists. They are not the same as us. People should just learn to accept that.
When we unravel the theological tomes of the ages, the makeup of God becomes quite clear. God is a human being without human limitations who is read into the heavens. We disguised this process by suggesting that the reason God was so much like a human being was that the human beings were in fact created in God's image. However, we now recognize that if was the other way around. The God of theism came into being as a human creation. As such, this God, too, was mortal and is now dying.
I have learned that human existence is essentially tragic. It is only the love of God, disclosed and enacted in Christ, that redeems the human tragedy and makes it tolerable. No, more than tolerable. Wonderful.
And it's very hard to do this stuff too because there are so many effects movies being done, so many companies busy doing this work and the public just wants to see it. Good work is being done all over the world.
I see the Koran very much as an outsider. It stands in the great prophetic tradition of trying to return people to the basic principles of spirituality. Taken for its time, it was an extraordinarily progressive declaration of principle. It is also extraordinary for a Christian to read: for example, there are more references to Mary than in the Gospels. The tragedy is that it has been so warped and misapplied.
Greek myths are heroic, noble and tragic; but the American Dream is heroic, comical, and uplifting. Americans are a people in whom overweening ambition is rewarded, not punished. The Wright Brothers did not have their wings melt when they flew too high. Perhaps their wings were more soundly built than those of Icarus.
I can't assume that people see me the way I see myself. I have to show them. But I can't do it in a way where it's too much, where it's rude. I feel like when you're a king, you lead. And I just see myself as a king, or as something more than just a regular human being.
I think Sacajawea was caught in a series of tragic situations - her kidnapping as a child, her being passed from tribe to tribe, being sold into marriage. However, I never thought of her as a tragic figure. I do not think she was a victim in the way we think of tragic figures.
I had to learn that there is more to the human being than material comfort, more than success, more even than national spirit or patriotism. That in any being worthy of being human there is also a demand for justice, for liberty, and that justice needs the evidence of all our lives, liberty is one and indivisible and collective, and no one can talk of justice solely for expediency's sake, nor of liberty while human beings, anywhere else on earth, are still in bondage.
People saw me as being heroic, but I was no more heroic than I was with other injuries I had, like the lacerated kidney I suffered during the 1990 World Series. It's just that people haven't known anyone with a lacerated kidney, but everyone can relate to someone with cancer.
Doing too much for others (often at their own expense), many persons are more 'human doings' than human beings.
America’s founding ideal was the principle of individual rights. Nothing more-and nothing less. The rest-everything that America achieved, everything she became, everything 'noble and just,' and heroic, and great, and unprecedented in human history-was the logical consequence of fidelity to that one principle.
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