A Quote by Martin Amis
All writers of fiction will at some point find themselves abandoning a piece of work - or find themselves putting it aside, as we gently say.
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Audiences will see what they want to see. Some will come out, hopefully enjoying two hours of action. Some people will find themselves gravitating towards the emotional dilemma that the characters find themselves in. Other people will see that there is some layer of subversions to the storytelling aspect of poking a finger of judgment at certain governments to the idea of foreign invasion, others maybe false pretenses.
I've never written a fiction before about real people. . . . I read everything that I could find by people who met them and tried to get some impression of them, but as always when you write fiction, even if you have completely fictitious characters, you start by thinking of what is plausible, what would they say, what would they be likely to do, what would they be likely to think. At some point, if it is every going to come to life, the characters seem to take over and start speaking themselves, and it happened with [COPENHAGEN].
I think a lot of officers go into that line of work because they have a calling for it. But at some point, they find themselves in the middle of their lives having seen some of the darkest things that are just unimaginable to the rest of us.
Girls who stay true to themselves manage to find some way to respect the parts of themselves that are spiritual. They work for the betterment of the world. Girls who act from their false selves are often cynical about making the world a better place. They have given up hope. Only when they reconnect with the parts of themselves that are alive and true will they again have the energy to take on the culture and fight to save the planet.
They're fancy talkers about themselves, writers. If I had to give young writers advice, I would say don't listen to writers talking about writing or themselves.
Most writers write to say something about other people - and it doesn't last. Good writers write to find out about themselves - and it lasts forever.
People are getting attention for doing nothing, for behaving poorly, for abusing themselves in public and being abused, exploiting themselves. I find it vulgar and I find it awful.
No one can say how long the process of human extinction might take, but as it proceeds, the same global order will prevail that always prevails: rich nations will find ways to protect themselves and make themselves comfortable, while the poor nations and the poor people of the planet will suffer.
You can, in short, lead the life of the mind, which is, despite some appalling frustrations, the happiest life on earth. And one day, in the thick of this, approaching some partial vision, you will (I swear) find yourself on the receiving end of - of all things - an "idea for a story," and you will, God save you, start thinking about writing some fiction of your own. Then you will understand, in what I fancy might be a blinding flash, that all this passionate thinking is what fiction is about, that all those other fiction writers started as you did, and are laborers in the same vineyard.
Scholars look for final truths they will never find. Creative writers concern themselves with possibilities that are always there to the receptive.
Forty percent of Americans describe themselves as conservative, 36% independents, and 20% liberal. And these independents are abandoning the Democrat Party in droves. And a key point, they're abandoning the Democrat Party without the Republican Party giving them any reason to go to them. They're just abandoning the Democrats because they don't like what they see.
I believe that if it were possible to scrap the whole of existing literature, all writers would find themselves inevitably producing something very close to SF ... No other form of fiction has the vocabulary of ideas and images to deal with the present, let alone the future.
People who find that they have a lot of drama in their relationships need to allow themselves to get 'bored'. At first, it will feel excruciating, and they may find themselves confronting a very real fear underneath all that drama: being truly close and therefore vulnerable to another human being.
Most shows find themselves descending into sentimentality or earnestness at some point but, with 'Community,' the joke is always on.
Men who are resolved to find a way for themselves will always find opportunities enough; and if they do not find them, they will make them.
I've heard some writers say that they are obsessed with certain ideas and that they find themselves writing around the same obsession again and again, but telling different stories to get at that same idea. I'm beginning to think that I suffer from this syndrome, too.
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