A Quote by Martin Bashir

We wanted to make sure that the film covered the main issues of his life. Musicianship, appearance. — © Martin Bashir
We wanted to make sure that the film covered the main issues of his life. Musicianship, appearance.
I am sure that nothing has such a decisive influence upon a man's course as his personal appearance, and not so much his appearance as his belief in its attractiveness or unattractiveness.
I think, as a woman, you have to really make sure that you're taking care of yourself and make sure that you're covered and you have enough material written for you.
I've always felt that I wanted to make a Marvel film... I just want to make sure I'm not making an episode.
I'm the champ that puns the camp! That's what I always wanted. I wanted to be seen as a main eventer, and it's a lot of responsibility now. I feel like I'm gonna deliver on this opportunity. I want to take it and make sure everybody knows that this is why I'm the champ.
I'm working on the Star Wars script today and the people in my office have covered up all my windows with black paper. I guess they wanted to make sure no one could see what I was doing. It seems rather extreme.
I actually fall asleep really easily. I'm a bit of a scaredy-cat, though, I have to make sure that all the doors are closed, the front door is locked three times, and then make sure everything is covered and look under the bed.
For a Tamil debut, I wanted to make sure the script is the right one. We are hopeful 'Bramhotsavam' will be that film.
Well consciously what we were doing when making the film was, we really wanted to make sure it was a film about - in our mind it was never really a sequel, it was its own movie going forward and it's why the movie doesn't have a number by it.
I didn't make a film because I wanted a starring role. I made a film because I wanted to tell a story and I wanted to prove that I could direct.
When we made the original 'Dhoom,' we wanted to make a film that would not bore us and wanted it to be just a breezy cool film.
I think everybody's goal was to make something that was really broad for a big audience, which was my goal too. But my main goal was that I wanted my audience to love it, because they're the ones who are going to buy it, and they're the ones who are going to tell their friends. And I wanted to make sure that core audience was really happy, because if they all buy it we have a successful movie.
The writer must be a participant in the scene... like a film director who writes his own scripts, does his own camera work, and somehow manages to film himself in action, as the protagonist or at least the main character.
The outsider is not sure who he is. He has found an “I”, but it is not his true “I”.’ His main business is to find his way back to himself.
I wanted to make a film about my dad, a sort of love letter, and explain what I understood of his cinema, which was so utopian. I also wanted to give the sense of his cinema, because they have never been very big box-office, but they were very influential.
There are stereotypes that have been out there for a long time that tell girls that their main asset, the main thing that they are valued for, is their appearance and also that it's to the exclusion of anything else.
I just wanted to make sure that yes, that those horror - they worked as a genre. To me, I just wanted to be touched by the film in the way that I saw plausible. Which is the story about compassion - giving and receiving it in those desperate times of need.
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