A Quote by Martin Bashir
He was very concerned about his children potentially being kidnapped or attached, and that's why they were covered up. When he went to Berlin zoo, there were 200 photographers.
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When I was a kid in New York I used to go to the zoo. I always liked the zoo. I grew up within walking distance of the Bronx Zoo. And then when my first two children were young, I used to take them to the zoo. Zoos are always interesting. And I make pictures.
A diplomat had been kidnapped, a cabinet minister had been kidnapped, they were under threats of murder. The police forces were rather tired. After a whole week, we were unable to find those that had effected the kidnappings.
One thing that I noticed is having met some former Taliban is even they, as children, grew up being indoctrinated. They grew up in violence. They grew up in war. They were taught to hate. They were, they grew up in very ignorant cultures where they didn't learn about the outside world.
The 'America at Home' project was aimed at being the most extensive record of American home life ever attempted, and we were amazed at how many people were willing to participate as photographers or to welcome the photographers into their homes.
I admire a lot of photographers, but I feel very disconnected from them at the same time. I don't feel I employ any technique like these people in my work. I guess if there's any influence from any of these photographers, it's this: They were concerned only with beauty. Not with 'cool.' I hope I'm doing the same.
We had some problems - my children were kidnapped during that time, and it just changed my whole way of thinking, from being in show business and everything else.
Like a lot of people, I'm very, very concerned about Senator Clinton's record. I'm very, very concerned about where her positions were in the 1990s, when we had some of the most disgusting legislation in terms of our criminal justice, really, in this country's history.
When I first started in this field there were all kinds of stereotypes about autism, as if these were children from another planet, or children who had been brought up by wolves, that they weren't part of our population and were somehow separate.
Commercial books don't even get covered. The reason why so many book reviews go out of business is because they cover a lot of stuff that nobody cares about. Imagine if the movie pages covered none of the big movies and all they covered were movies that you couldn't even find in the theater?
When I was growing up, officers in uniform were very impressive to me. They were doing a job. They were protecting our country; they were heroes. When you wear an old military jacket, there's some sort of connection to those qualities - to being strong, to being tough, to being a warrior.
A painter was asked why, since he made such beautiful figures, which were but dead things, his children were so ugly; to which the painter replied that he made his pictures by day, and his children by night.
As a child, every North Korean is very happy. We were very happy because we learned horrible things about the outside world, like in America and Japan. We thought they were suffering; that's why we were very happy... but in reality, we were living under fear.
Well, you know, they were - they were a terrorist group. They - when I was kidnapped they published all of their statements about their war that they declared on the United States.
I looked around at what my colleagues were doing, and asked myself, 'What relationship has it with what's going on?' I found there was a great distortion of contemporary life. Photographers were interested only in certain things. A visually interesting place, people who were either very rich or very poor, and nostalgia.
All parents are concerned about their children's well-being. As a parent of three kids, I'm very concerned about their well-being.
Ewan McGregor is a very genial and entertaining man, and Pierce Brosnan is possibly the nicest man in the world. Actually, it was quite a genial set The Ghost Writer, but the weather and the colors and the actual surroundings were oppressive. But it was a created atmosphere. What was so striking is that Roman Polanski had his crew from The Pianist, and we were shooting in Berlin, so there were German and Polish and French people, and I was just sort of enjoying being in this mix of people, all kind of rubbing along together. That felt good.
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