A Quote by Martin Brodeur
You act in different ways for your own personal well-being, and you don't think about the people you hurt along the way. wish I would have thought about it.
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What happens is that you discover you're carrying so much weight that 90 percent of what you thought yesterday you are thinking about today and will think about again tomorrow. Your mind doesn't change because you are carrying too large a load. So the mind is caught. It's seized by its own structures. It can't consider different ways of thinking or doing or being or relating. It's all you can do with your psychic energy to keep pulling yourself along with this huge bag that you are dragging behind you.
I think we are obsessed in the U.S. with the personal, in ways that blind us to more important issues of life. I just think if we could take all the obsession with the personal (inaudible), and personal judgment and have people be concerned about the environment, what a different world we would live in.
A lot of people want to be an entrepreneur, so it's important to know that there's a lot of ways to be an entrepreneur. One of the ways is to go about and start your own business. There are also ways that you can gain experience in the context of a larger business, like raising your hand to helm a new office. As you are gaining your skills to run your own business successfully, the first way is to think about how you can do so based on where you already are.
When you're being asked to think about the meaning of your intuitions before you act on them, maybe along the way you decide your intuitions are destructive or make no sense at all. And then you don't act on them.
I think everyone deals with things in their own way. Everybody's different. My family are all different. None of us are the same. We all deal with different things in different ways. I think it's about knowing yourself, what pushes your buttons, and figuring out how to work with yourself.
These artists all have some kind of message to the public. These messages can be quite personal, maybe about their own existential situation, and it can be about suffering, it can be about questioning of one's existence and so on. They are all telling us very genuine stories, which are touching us in different ways and they are enlightening in different ways. But it's not only the stories themselves, but it's how it is done - that creates the impact of the story. It is not what is said but how it is said. I don't think you can dissociate the content from the form.
I was thinking about framing, and how so much of what we think about our lives and our personal histories revolves around how we frame it. The lens we see it through, or the way we tell our own stories. We mythologize ourselves. So I was thinking about Persephone's story, and how different it would be if you told it only from the perspective of Hades. Same story, but it would probably be unrecognizable. Demeter's would be about loss and devastation. Hades's would be about love.
We hurt each other, is the point. Hurt, annoy, embarrass, but move on. People, it just doesn't work that way. Your own feelings get so complicated that you forget the ways another human being can be vulnerable. You spend a lot of energy protecting yourself. All those layers and motivations and feelings. You get hurt, you stay hurt sometimes. The hurt affects your ability to go forward. And words. All the words between us. Words can be permanent. Certain ones are impossible to forgive.
The average person might articulate them differently, but we all think about interpersonal relationships in one way or another. Writers just express that in different ways and capture it in different ways. To some degree, we're all thinking about the same things. It's the zeitgeist. The trick, in a way, as a writer, is to hope that your interests in some sense link up with the culture around you.
At different points, I applied to graduate school. I got into medical school. I thought about being a writer. I thought about being an investment banker. I just didn't know what I wanted to do with myself. I think the thing that best suits me about being a C.E.O. is that you get to exercise many different talents and wear many different hats.
Your idea of that dish has evolved, and if you're a cook, you can start thinking in different ways about it, maybe even a different way than I think about it.
I think there are some people who have taken on fame in extraordinary ways, like Madonna, David Bowie, and Michael Jackson. There are other people who have taken it on in a completely different way, like Prince - who is just as famous and has achieved just as much - but is still unbelievably mysterious, which I guess Bowie managed to hold as well. There are different ways of dealing with it, and for some people I think it becomes an art form of how you put yourself out there, and for other people it's literally a way of life, it's who you are, you act like a celebrity.
Skateboarding is not a hobby. And it is not a sport. Skateboarding is a way of learning how to redefine the world around you. For most people, when they saw a swimming pool, they thought, ‘Let's take a swim.' But I thought, ‘Let's ride it.' When they saw the curb or a street, they would think about driving on it. I would think about the texture. I slowly developed the ability to look at the world through totally different means.
I'm pretty transparent and clear about things. The things I do and the way I act are no different than I would expect of others. Mostly it's about being very clear about what we are trying to do and communicating a lot and showing absolute consistency and integrity about what I say and do.
I would write about issues and people I met along the way, but not about the process and the life of being on the road.
Actually, acting turned out to be the perfect job for me, because I had a lot of different interests. I thought about being a priest at one point. I thought about being a teacher. I thought about being a lawyer. But I think acting is probably the best job for me.
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