A Quote by Martin Clunes

You do get into a groove, which is great, when you get to act with the same people a lot. Like with Caroline Catz - it's like a duet: you're like a duo jamming together. — © Martin Clunes
You do get into a groove, which is great, when you get to act with the same people a lot. Like with Caroline Catz - it's like a duet: you're like a duo jamming together.
It definitely seems like we are connecting with people, which is nice, because I've had a lot of music do the same for me. It's not like I don't I understand why we get the reactions we do.
I just love the process of working with other actors. It's like jamming with a musician, except it takes a little more effort to get to that place as an actor, because you have the cameras and lights and everything. But I love jamming with these people.
I don't like people. I don't like any kind of people. When you get them together in a big lump they all get nasty and dirty and full of trouble. So I don't like people including you. That's what a misanthropist is.
A lot of people don't get to see the behind-the-scenes of what we go through and what it's like. We aren't perfect people. Everyone on social media is like, 'They're so perfect, they have their life together, gymnastics looks so easy.' We work our butts off to get to where we are.
People act like art is a white thing - or not for people of colour - when, really, so much culture and art comes from people of colour. I want everyone to get into what I am doing. So sometimes I don't like to work just in an art context because it feels like a lot of people aren't going to see it. I like it to be a part of everyday life.
Software is a great combination between artistry and engineering. When you finally get done and get to appreciate what you have done it is like a part of yourself that you've put together. I think a lot of the people here feel that way.
I know with my size, a lot of people might think I'm like a slasher, a make-you-miss guy, which I can do that. But I also like to lower my shoulder and get the tough yards, too. I like contact. I like to mix it up.
I think there are people that still hold on that like Heavy Metal like a bit of what is going on now, but it isn't all of what they love and which goes on and it's the same with me... There's still a lot of Ray Charles, Sam Cooke songs that I still happen to like a lot, but then there are a lot of Madonna and... a lot of the female singers that I like as well, but it's like liking it with different emotions, you know.
My message to a lot of guys is, if you like school and you like education, baseball is gonna be there, and you can get some of the same great competition in college that you do in the low minor leagues.
There's a lot of hip-hop that would be great with a banjo in it. It would just groove like crazy, and I hope I get to be one of the guys who does that, because it's coming. It's coming.
I would like to get out to the region in the Caspian sea. I would like to go there. I would like to get to Darfur. I would like to get to Khartoum in Northern Sudan. I would like to get to Zimbabwe. I would like to go back to North Korea, if I could. I would like to go to Yemen. I would like to get to Kashmir. Most of those destinations I will get to.
For me, it's common sense to treat other people like you would like to be treated. Empathy is a broad concept, but how do you get there? People get there differently. I get there by truly building a little trust and connection. You'll tell me something, I'll act on it, and then that builds on itself.
I loved my soap days. I really loved them. A Martinez and Marcy Walker taught me how to act, basically. All those people pulled together and helped get me started. Like, showed me how to hit my mark, made me do this, made me do that. That was my first long-running professional gig. And it was like, they were just - great, great with me.
A lot of times, you land in a city, and you're like, 'This is not my people.' I'm gonna do the show, but you don't feel like this is for you. And then, some places, you just go and just fall into a groove, and you're like, 'This feels right.'
That's the nice thing about being a live act. I can get the audience, but it's for the moment. It's like, 'Can I do it tonight?' And you can see when people like you. But on record - and with the pen - it's almost for all time. Really, a lot more thought has to go into it.
I think the people like myself who are in the center ground of politics and who think that center left and center right can cooperate and work together. Who don't like this sort of insurgent populism because we think it's not really going to deliver for the people, I think there's a big responsibility on us in the center to get our act together. And to work out radical but serious solutions to the problems people face.
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