A Quote by Martin Clunes
Really, for an actor, it's all about remembering a lot of stuff - and keeping the moustache on.
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Garry Shandling was an actor's actor. He really cares about the performance. It was really interesting to watch him talk about motives and motivation and stuff. He really knows the craft.
We have the best driver in the world in drifting and best guy in rally racing and stuff like that. So obviously there's a lot of stuff that I didn't do, but there's a lot of really incredible things that I don't think we've ever seen an actor do.
I feel like in a lot of ways I've gotten kind of soft as an actor, not doing stage stuff. In terms of being a better actor, it's really important.
I'm remembering how this works. How life doesn't have to be only anxiety about what's gone wrong or could go worng, and complaints about the world around you. How a person you're excited about can remind you there's stuff going on beyond... routine oil changes and homework. Stuff that matters. Stuff to look forward to.
I think what Laura Linney was saying about teaching her all the lessons as a child actor, right, that's a whole ball of wax. That's a really mixed bag of stuff. I look at so many people that I knew personally or didn't know personally but who have ended badly, have died young, have been destitute - there are a lot of bad child-actor-gone-wrong stories, a very high percentage, but I think the thing about it is that a lot of those are Hollywood stories, and you don't have that same kind of a thing in the theater.
I've done a lot of dramas, and I've done a lot of serious stuff - some really heavy stuff... which I loved, but I wanted to do something light and airy. I think the challenge for an actor is always to see which parts of you you can explore and go have fun with.
American culture has a lot of great moustaches in its history. Mark Twain had a great moustache, Charlie Chaplin, Ben Turpin ... but Zappa, he's got the best moustache in American history. Got the moustache, right, and he's got that little thing on his chin, I think it's called an imperial, that is, like, the coolest thing. That's like one of the great icons of the twentieth century.
This whole thing about announcing stuff and sharing it online is a new phenomenon. Keeping things private is really, really easy and simple.
I started acting when I was about nine. I always wanted to get into acting since I was really little but my parents would never let me because they'd heard all the bad stuff about being in the business as a young actor and stuff like that.
If only-if only, Hastings, you would part your hair in the middle instead of at the side! What a difference it would make to the symmetry of your appearance. And your moustache. If you must have a moustache, let it be a real moustache-a thing of beauty such as mine.
I think you just learn a lot of stuff in general about all the stuff he [Edward Snowden] released. I think there's probably a lot that we don't know. That's what is really interesting.
A lot of the stuff you do as an actor - or I do, because I can't speak for everyone - is not always consciously thought out. A lot of the time, for me, it's actually just feeling stuff, and it happens all in the moment and your body reacts.
The whole problem with the world today: private property. If no one owned anything, it would be a lot better. There's even an entire industry devoted to keeping an eye on other people's stuff. This is how stupid it's got. If you decide to get rid of a lot of your stuff, you can give it to a thrift shop or to Goodwill.
I remember watching that show [Golden Girls] with my parents and not totally understanding it. Like, a lot of comedy flew over my head, a lot of the sexual stuff I didn't know. But because there was a laugh track, I'd laugh really hard, and I'm now remembering the look on my parents' faces - I had no idea why it was funny. I was sort of, like, laughing along.
I wanted to preserve the feeling of remembering her just months after her death - the raw immediacy of it, so the drafts were really about getting the language right, getting the pitch right, keeping the voice austere and plainspoken.
I'm not a good hipster - if I let my moustache grow for weeks, it just looks like I have dirt on my face. I'll never have a glorious handlebar moustache.
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