A Quote by Martin Donovan

'Collaborator' is a hostage tragicomedy, but it's also, kind of, everything I know about post-war America. Well, not everything, but it does reference a lot of the post-war period.
Ultimately, Boris Johnson and the political and financial support behind his Brexit project are probably the biggest threat to both British democracy and the post-war welfare state settlement we've faced in the post-war period.
I was very lucky, I was part of the post-war period when everything had to be redone.
I don't know if Britain ever really achieved that much glamour. We had post-war austerity rather than post-war prosperity, and our cultural products of the time include some pretty dour kitchen-sink dramas of the A Kind of Loving variety. (This kind of film seems disillusioned with the sixties before they've even really begun.)
Born in 1936, I experienced the Second World War as a child in the city of Gelsenkirchen-Buer. This area was heavily bombed, but fortunately, all members of my family survived the war and post-war period.
We have a sufficient political class, and the military doesn't have to get involved in high national office. The days of doing that, post-Civil War and post-World War II, are gone.
We started America with the sin of slavery that led right into the post-reconstruction period which was the greatest period of domestic terrorism in our country's history. Then after that, we had Jim Crow emerge and just when the Jim Crow laws were ending came the onslaught of the drug war. Well, the drug war has so perniciously effected, insidiously infected communities of color that in some ways it has come full circle, and we now have more African Americans under criminal supervision than all of the slaves in 1865. This is a profoundly unjust war.
Post World War II America draws a great deal of interest, but the students also seem to know quite a bit about American exceptionalism and its historical roots.
In that period, we had the Cold War mentality imbued through us - the Post-war [environment] and the Cold War. I think we were reflecting some of that. This was before the Wall collapsed, etc.
I joined the army on my seventeenth birthday, full of the romance of war after having read a lot of World War I British poetry and having seen a lot of post-World War II films. I thought the romantic presentations of war influenced my joining and my presentation of war to my younger siblings.
It was post war. It was very gray, very dreary. Everything was still rationed when I first saw the United States in 1951. I went over to visit my sister who was a war bride.
All the politics of the post-war period was about the clash between the Soviet Union and America, and virtually all issues ended up being subordinated to that. Now, the question is, what is the most a socialist can achieve in a global economy?
In the post war period I began again to have my doubts about Russian policy.
I spent a little time in Germany as a schoolboy learning German, and it's a country I knew very well, spent a lot of time in. I knew the history very well. I've always wanted to do a piece of work about the post-war period, of one sort or another.
Alexander Trocchi was an existentialist. He was looking at an alienated artist in the post-war period. It's modern because it applies now as well.
People start to talk about post-racist, post-feminist. What does that mean? We're clearly not post either. Would you say post-democracy? Clearly we haven't reached true democracy yet.
I grew up in the '80s where there's a lot of these kind of post-apocalyptic, post-comet, post-whatever it was, so that always captured my imagination a lot as a little kid, that idea of getting access to secret places and being able to roam around where you're not supposed to.
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