A Quote by Martin Espada
Even the most political poem is an act of faith.
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I think that poetry is an act of celebration, that anytime you're writing a poem, it means that you're celebrating something, even if it's a sad poem, if it's an angry poem, a political poem or anything at all. The fact that you're taking the time and energy to pick up this thing and hold it to the light, and say, "Let's take some time to consider this," means that you've deemed it worthy enough to spend time on - which, in my opinion, is celebrating.
It is never on account of its formal nature as a psychic act that faith is conceived in Scripture to be saving. It is not, strictly speaking, even faith in Christ that saves, but Christ that saves through faith. The saving power resides exclusively, not in the act of faith or the attitude of faith or nature of faith, but in the object of faith.
Faith as ultimate concern is an act of the total personality. It happens in the center of the personal life and includes all its elements. Faith is the most centered act of the human mind. It is not a movement of a special section or a special function of man's total being. They all are united in the act of faith.
The most radical political act there is is to be an optimist. The most radical political act there is is to believe that, if I change, other people will follow suit.
Art glows with faith even in its weakest parts. At every moment, writing is an act of self-confidence – the sheerest, most determined, most stubborn self-belief. You CAN have faith and doubt at the same time; the most insecure writer on the planet has faith that shines just as bright as her doubt, and she deserves props for that. It might be hidden deep, she might not feel it and you might not see it, but it’s in there, or she wouldn’t be able to write.
For poetry is, I believe, always an act of the spirit. The poem teaches us something while we make it. The poem makes you as you make the poem, and your making of the poem requires all your capacities of thought, feeling, analysis, and synthesis.
"How can you see Christ in people?" And we only say: It is an act of faith, constantly repeated. It is an act of love, resulting from an act of faith. It is an act of hope, that we can awaken these same acts in their hearts, too, with the help of God.
Poetry is perhaps the oldest art form. We can go back to an age-old idea of naming things, the Adamic impulse - to give something a name has always been an immensely powerful thing. To name something is to own it, to capture it. A poem is still a kind of spell, an incantation. Historically, a poem also invoked: it was a blessing, or a curse, or a charm. It had a motile power, was able to summon something into being. A poem is a special kind of speech-act. In a good poem there's the trance-like effect of language in its most concentrated, naked form.
I wrote a number of poems about Kah Tai lagoon, when Safeway was building that huge, ugly store down there where I used to love to watch the birds nest. That political poem, or environmental poem, was unsuccessful because Safeway built there anyway. And yet the poem has something to say today, as it did then. And I speak here only of my own poems. The agenda for every poet has to be different because most of us write from direct human experience in the world.
Art is inherently political. Even trying to make a film that has nothing to do with politics is, in and of itself, a political act.
Most North Americans know that human-caused global warming is real, even if political leaders don't always reflect or act on that knowledge.
I define my work as a feminist act and a political act because I'm black and a woman. You don't necessarily have to claim that, but the act of making art itself is a political and feminist act when you're a woman.
Every act of reverence, every genuflection that you make before the Blessed Sacrament is important because it is an act of faith in Christ, and act of love for Christ. And every sign of the cross and gesture of respect made each time you pass a church is also an act of faith.
Great faith, like great strength in general, is revealed by the ease of its workings. Most of what we think we see as the struggle OF faith is really the struggle to act as IF we had faith when in fact we do not.
The real question should be: what makes a good political poem? The possible answers to that question are both obvious and yet still a little too subjective for anyone to ever fully agree on. What do I most wish to see in a political poet? Sublimated rebellion.
Even a purely moral act that has no hope of any immediate and visible political effect can gradually and indirectly, over time, gain in political significance.
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