A Quote by Martin Esslin
The Theatre of the Absurd is a theatrical embodiment and manifestation of existentialism. It is part reality and part nightmare
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From musicals to plays, I was part of all things theatrical all through my school life in Chandigarh, and this helped me develop a strong love for theatre and acting. Even during college, I was active in the theatre scene and even founded two theatre groups.
The frivolity with which all theatrical activity is conducted has one consoling feature-there are no rules of behavior that apply regularly to any part of the theatre.
I've always been literally a lover of the absurd. I think the absurd gives a new dimension to reality and even to common sense. And life, you know, on an everyday basis, is absurd, or may turn out to be absurd. There's no reality without absurdity.
The stuff that is done on Broadway is hardly theatre. It is part magic show, part rock concert, and part conjuring things.
College is part of the American dream. It shouldnt be part of a financial nightmare for families
College is part of the American dream. It shouldn't be part of a financial nightmare for families.
Being a writer is a solitary life. So the little part of me that's an actor still enjoys the theatrical part of reading and doing the voices and telling the story.
At the end of the 1960s, I was part of the downtown theatrical movement in New York that was making work in alleyways, garages, gyms, churches, non-traditional spaces. The idea was to get away from the illusion of the conventional theatre. But then I thought, what's wrong with illusion?
When you're a part of any protected class, whether it is being a woman, a person of color, a part of the LGBTQ community, or an immigrant, we're expected to get everything right and be the embodiment of perfection when it is not expected of other people.
I have a sort of waking nightmare: to get this thing just about completed, and the last day to discover one little part that doesn't quite fit with the adjacent part.
Theatre has been a part of my life since before I can remember - my dad is also an actor and a director and a storyteller who lives and works in the Twin Cities; my mom is a nurse practitioner, but she also grew up doing theatre - so, it has always been a part of my experience.
I started - well, in England it works a little bit differently. You have to do Fringe theatre, which is basically free theatre. You do it in pubs and small theaters and village halls across the country, and you work for a theatre company. You're part of a troupe.
Look at a football field. It looks like a big movie screen. This is theatre. Football combines the strategy of chess. It's part ballet. It's part battleground, part playground. We clarify, amplify and glorify the game with our footage, the narration and that music, and in the end create an inspirational piece of footage.
I grew up in the theatre. It's where I got my start. Writing a television drama with theatrical dialogue about the theatre is beyond perfection.
In its outward manifestation, meditation appears to involve either stopping, by parking the body in a stillness that suspends activity, or giving oneself over to flowing movement. In either case, it is an embodiment of wise attention, an inward gesture undertaken for the most part in silence, a shift from doing to simply being. It is an act that may at first seem artificial but that we soon discover, if we keep at it, is ultimately one of pure love for the life unfolding within us and around us.
I love rap, and part of hip-hop culture is being excessive and absurd, and I can't be excessive and absurd without sounding corny. So I have to do it in a very truthful, weird way.
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