A Quote by Martin Filler

Despite the persistent image of the architect as a heroic loner erecting monumental edifices through sheer force of will, the building art has always been a highly cooperative enterprise.
Im hoping that for film actors there is this kind of emotional trigger on any subject. It need not be only slums. It can be anything. But even if it is tentative, sooner or later, it will - by its sheer force - engulf you in a way where you make a commitment and you get involved in it, beyond just making it an image-building exercise.
Abraham Lincoln comes from nothing, has no education, no money, lives in the middle of nowhere on the frontier. And despite the fact that he suffers one tragedy and one setback after another, through sheer force of will, he becomes something extraordinary: not only the president but the person who almost single-handedly united the country.
Despite the fact that I'm not highly skilled in any visual art, aesthetics have always played a strong role in my art, including my first albums.
In all assemblies, though you wedge them ever so close, we may observe this peculiar property, that over their heads there is room enough; but how to reach it is the difficult point. To this end the philosopher's way in all ages has been by erecting certain edifices in the air.
The entire cosmos is a cooperative. The sun, the moon, and the stars live together as a cooperative. The same is true for humans and animals, trees, and the Earth. When we realize that the world is a mutual, interdependent, cooperative enterprise -- then we can build a noble environment. If our lives are not based on this truth, then we shall perish.
The architect represents neither a Dionysian nor an Apollinian condition: here it is the mighty act of will, the will which moves mountains, the intoxication of the strong will, which demands artistic expression. The most powerful men have always inspired the architects; the architect has always been influenced by power.
I was a child of a single mother/art teacher, and a father who was an architect, so I've always been around the combination of art, fine art, and architecture my entire life.
A cooperative enterprise is the key alternative to a traditional capitalist enterprise. All the workers, whatever they do inside an enterprise, have to be able to participate in collectively arriving at the decisions about what, how, where to produce, and what to do with the profits in a democratic way. One person, one vote should decide how these things are done.
Jonas. Their rock. Shattered into so many shards. Holding himself together through the sheer force of will.
Here is a fundamental conflict in educated society: We are not supposed to value beauty so highly, and yet who can defend against its sheer power to move, its rhetorical force?
Art does not organize parties, nor is it the servant or colleague of power. Rather, the work of art becomes a political force simply through the faithful representation of the spirit. It is a political act to create an image of the self or of the collective.
Concrete, Steel & Paint portrays the core values of restorative justice-respect, responsibility and relationships-expressed through art. it is art that involves victims, offenders and communities in a dialogue that is sometimes difficult and painful, sometimes reconciling, but always engaging. As one prisoner says in the film, 'We have come together collectively through art.' It will be a great discussion tool for college classes, community groups and others interested in issues of justice, community-building, conflict resolution and socially-engaged art.
It is vain to trust in wrong; it is like erecting a building upon a frail foundation, and which will directly be sure to topple over.
Freedom only comes through persistent revolt, through persistent agitation, through persistently rising up against the system of evil.
Amazingly, my first project at Granta was the Sex issue. Given my own proclivity for the nuances of hedonistic and sexual exploration, partly through art, it was a perfect way to start. I love to interrogate through image - or pose questions through a subversion of said image - and we came up with a visual that caused quite a stir and went on to pick up a Design and Art Direction award.
We cannot birth our babies through sheer force of will. We need to learn the more subtle, the equally powerful, path of surrender.
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