A Quote by Martin Filler
Any set of decisions about design is inevitably influenced by cultural prejudice, no matter how intent an architect might be to avoid it.
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When I started this project, I was a young architect. I was very apprehensive about any changes to the design. Whether I wanted to or not, I learned that you can accept some changes to its form without compromising its intent. But it's a leap of faith that I didn't want to make initially - to put it mildly.
I have a fairly unwieldy set of concerns that go into determining what I do in the paintings, such as the history of the decorative, patterns of cultural migration, Islamic art and design, Byzantine architecture, the annals of natural history, as well as contemporary painting. All of these things are filtered through my own sense of cultural urgency. How I proceed with the work has to do with how I respond to this instinctively chosen mass of materials. I'm weighing many things and making many decisions before I even get started on a painting.
In the '20s and '30s, there were these musicals either set on college campuses or based on classical stories, so any of the Rodgers and Hart musicals certainly influenced me. I was definitely influenced by any of the 'Porgy' songs; I was influenced by 'American Pie.'
Show me a person without prejudice of any kind on any subject and I'll show you someone who may be admirably virtuous but is surely no gardener. Prejudice against people is reprehensible, but a healthy set of prejudices is a gardener's best friend. Gardening is complicated, and prejudice simplifies it enormously.
The Japanese garden is a very important tool in Japanese architectural design because, not only is a garden traditionally included in any house design, the garden itself also reflects a deeper set of cultural meanings and traditions. Whereas the English garden seeks to make only an aesthetic impression, the Japanese garden is both aesthetic and reflective. The most basic element of any Japanese garden design comes from the realization that every detail has a significant value.
No matter how close to personal experience a story might be, inevitably you are going to get to a part that isn't yours and, actually, whether it happened or not becomes irrelevant. It is all about choosing the right words.
They're professionals at this in Russia, so no matter how many Jell-O shots or Jager shooters you might have downed at college mixers, no matter how good a drinker you might think you are, don't forget that the Russians - any Russian - can drink you under the table.
I avoid writing about sex out of a certainty that no matter how grown up and matter-of-fact I might try to be, there is a snickering yet nun-terrorized 12-year-old-boy inside me who would at some point be certain to grab the reins in his hairy palms.
The interesting thing is when we design and architect a server, we don't design it for Windows or Linux, we design it for both. We don't really care, as long as we're selling the one the customer wants.
The writer's intention hasn't anything to do with what he achieves. The intent to earn money or the intent to be famous or the intent to be great doesn't matter in the end. Just what comes out.
When we're dealing with the people in our family - no matter how annoying or gross they may be, no matter how self-inflicted their suffering may appear, no matter how afflicted they are with ignorance, prejudice or nose hairs - we give from the deepest parts of ourselves.
I sell architecture better and more directly and more vividly than the architect does... The average architect is stupid. He doesn't know how to sell. He's not a merchandiser. He doesn't know how to express his own image. He doesn't know how to create a design of his image... And I do it. I've done it all my career over half a century, and it gets better.
I studied to be an architect. And I find tremendous similarities between building a company and the design process. Businesses have to do their planning on the fly in a fashion similar to an architect sketching.
I enjoy the optimism of design, even though we can see it as doomed. But I'm telling most people that I'm not writing about design any more this year. It makes no sense at all during the recession unless you write about sustainable or ethical design-very basic things, like how to get clean water in countries with a shortage of it.
The Court should never be influenced by the weather of the day but inevitably they will be influenced by the climate of the era.
No matter what precautions we take, no matter how well we have put together a good life, no matter how hard we have worked to be healthy, wealthy, comfortable with friends and family, and successful with our career — something will inevitably ruin it.
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