A Quote by Martin Filler
Winning the Pritzker assures a flood of work in one's seventies and eighties, jobs necessarily carried out by assistants as the demands of modern-day cultural stardom and the inevitable waning of physical capacities prevent many architects from attaining the transcendent final phase more easily achieved by artists in other mediums.
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It is a sad truth that apprenticeships fell out of favour in Britain in the Seventies and Eighties, when the manufacturing industries shed jobs and the construction industry went into decline.
In my lifetime, I've discovered a great many incredibly talented individuals. Some have achieved stardom. Simultaneously, I've seen many dreams shattered, egos destroyed and lives changed forever. The end destination may well be fame and fortune, but the road to stardom is littered with broken hearts.
I pay two full-time assistants in my studio, plus consultants who are architects, engineers, and landscape architects, as well as lighting designers.
When I work there are two distinct phases: the phase of pushing the work along, getting something to happen, where all the input comes from me, and phase two, where things start to combine in a way that wasn't expected or predicted by what I supplied. Once phase two begins everything is okay, because then the work starts to dictate its own terms. It starts to get an identity which demands certain future moves. But during the first phase you often find that you come to a full stop.
Hollywood is a whole other level of crazy. I've never met so many assistants who have assistants. It's a stratified society on its own.
There's just so many great artists out there, but I think growing up, J. Cole has been the guy that I've always been listening to, even in college. Going from that struggle to stardom, that rise to stardom, 'Dolla and a Dream,' all that stuff - I've listened to all his classics, all the old J. Cole stuff.
It's hardly even noticeable that so many artists, designers and architects live here. It isn't reflected in the cityscape or in the museums. Many of the artists, for example, exhibit around the world, just not in Berlin.
Believing that the power to destroy belongs to the Creator alone I affirm... that any theory which, when carried out, demands the annihilation of force, is necessarily erroneous.
After illuminating the work of Rembrandt, Caravaggio, Louise Bourgeois, Balthus, and other modern artists, Mieke Bal again demonstrates her extraordinary flair for cultural criticism in taking on the work of Doris Salcedo, exploring the philosophical and aesthetic stakes of this committed political art and the relation between beauty, violence, and memory. A tour de force.
For most of the competitors, winning the Dakar has little to do with the standings on the final day and everything to do with making it to the final day.
In my home district, exports support more than 100,000 jobs. Imagine how many more jobs we can create by breaking down the barriers that prevent Chicago-made goods and services from entering new markets.
I saw Joseph Cornell's lyrical work for the first time at the Museum of Modern Art in the late seventies and have internalized many of his boxes.
Winning is, of course, rewarding; who doesn't enjoy winning? But for me, it's about more than just winning: it's about knowing I'm putting in the day-to-day work to get a little bit better every time.
The National Flood Insurance Program is a valuable tool in addressing the losses incurred throughout this country due to floods. It assures that businesses and families have access to affordable flood insurance that would not be available on the open market.
If we are to believe or accept that buildings are cultural markers, if architects work in a vacuum with their own preconceptions about society, then we won't be creating appropriate cultural markers.
The rush and pressure of modern life are a form, perhaps the most common form, of contemporary violence. To allow oneself to be carried away by a multitude of conflicting concerns, to surrender to too many demands, to commit oneself to too many projects, to want to help everyone in everything, is to succumb to violence. The frenzy of our activity neutralizes our work for peace. It destroys our own inner capacity for peace. It destroys the fruitfulness of our own work, because it kills the root of inner wisdom which makes work fruitful.
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