A Quote by Martin Filler
By 1970, the first stirrings of the revolt against Modernist orthodoxy in architecture had been felt, although it would be several years more until Postmodernism was widely accepted and made classical motifs permissible in high-style building design for the first time in decades.
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Nineteenth- and early-twentieth-century exponents of prefabrication were certain it would supplant age-old traditions of individualized design and handcrafted construction. The building art would be revolutionized by freeing designers and construction workers from repetitive tasks, and democratized by making high-style architecture more affordable.
A show hosted by a black had never been accepted, so the first time that knob's turned on, people are judging against all they have ever been taught. I may have been the first black in the house.
I didn't start until I was 21, and most people I know were 13 when they had their first guitar - I missed that time where you sit in your bedroom all day for years and accidentally you're doing classical training, although you're not thinking of it that way. It's not as easy, as you get older, to do all that kind of practice.
I think we felt the pressure more at first than this time around. But still you don't want to let anyone down. I never even met Patrick until we had a Christmas party at Ian McKellen's house on the first movie and then I didn't see him again until the premiere.
I can remember how I felt the first time I was knocked out by Floyd Mayweather Jr. My first fight afterwards was against Juan Lazcano at the City of Manchester Stadium. Every time I got punched I felt like I would wobble.
I felt a certain modicum of success because I had been paid well to be an actor for the first time in my life, but I felt like I had done adolescent work on the show, and stepping into the New York theater arena was the first time I felt like I'd come into my own. I felt like I was proving myself in a gladiatorial arena.
I grew up in a modernist house, in a modernist culture. There was a love for modernism everywhere - the furniture, the books, the food, even the cutlery. So I learned very early to appreciate the value of design and the value of architecture.
Architecture is about ideas in the first place. You don't get to design until you have an idea.
Atul had a child from his first marriage but lost him when he was just 16 years old. His wife died 7-8 years later. He's really had a tough life. Probably these experiences have made him a more sensitive, caring and loving person... Had we been 20 years younger, we definitely would have had children.
Whatever my trouble had been at first, it developed into separation of the retina in both eyes. From the day on which I first consulted the oculist up to the present time, about twenty-four years, I have only been three times in 'The World' building. Most people think I'm dead or living in Europe in complete retirement.
I've always felt I had more in common with the modernist approach than with postmodernism, but I can see where the connection might arise - and to be honest, I'm no academic, so I tend to use these words, like in Alice In Wonderland, to mean what I want them to mean rather than what they actually do mean.
When I first went to New York I was right out of high school, I was 17 years old, and I had never seen a building over two stories high.
I think the first time you have to change code you’ve written previously, to add features or remove a bug, you realize that you could have done it better in the first place, that you could have found an architecture that would make it easier to transform and grow the code. And this is terribly seductive—you’re not just building a solution to a problem, you’re potentially building a beautiful solution, with ‘beautiful’ here being defined here by an aesthetics of present and future functionality. This can be a trap.
I didn't really know what I was until I came to America and I had sex [for the first time] in San Francisco in 1970. It was with someone of my own sex.
What was happening was only the working-out of a process that had started years ago. The first step had been a secret, involuntary thought, the second had been the opening of the diary. He had moved from thoughts to words, and now from words to actions. The last step was something that would happen in the Ministry of Love. He had accepted it. The end was contained in the beginning.
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