A Quote by Martin Filler

Although there are countless tangents that a career in the building arts can take, it is nonetheless most unusual for a major architectural practice to emerge once a firm's principals are well into what is loosely called middle age.
The work that launched Snohetta into the architectural big leagues was their Oslo Opera House, which will certainly rank among the firm's highlights whatever else they may do. Although this is by any measure a triumph of city planning, the building itself is not quite a masterpiece, though very fine indeed.
Because most of my career in the classroom has been at art schools (beginning at Bennington in the 1970s), I am hyper-aware of the often grotesque disconnect between commentary on the arts and the actual practice or production of the arts.
It was important for me to show that Beirut and Lebanon were once the pearl of the Middle East. Beirut was once called the Paris of the Middle East and to have that feeling of a destroyed place that once was beautiful and glamorous and visually impressive was important. I think it's even sadder to get the feeling that this country, and indeed the whole Middle East, could have been a major force in the world if people would get together and forget about destruction, death and wars. But unfortunately, it's not happening yet.
In 1995, I proposed the Harvard Arts Medal. The idea was to celebrate the fact that, although it's rare, Harvard men and women do go into the creative arts. Over the years we've had major, major figures, like Jack Lemmon, John Updike, Yo-Yo Ma, and Bonnie Raitt.
There are major benefits to building a game once and improving it over a long period of time based on user feedback and behavior. It's kind of depressing to have to build a game once, take all the user feedback, and then spend the next 3 years building another game.
If you intend on building a solid career, it's best to not worry about the major label approach. It's a trade-off that most true artists shouldn't have to make.
Maybe, just maybe, we shall at last come to care for the most important, most challenging, surely the most satisfying of all architectural creations: building cities for people to live in.
It is from the middle class that writers spring, because, it is in the middle class only that the practice of writing is as natural and habitual as hoeing a field or building a house.
Since I am a Japanese man who's been building through the experience of Japanese architecture, my actual designs come from Japanese architectural concepts, although they're based on Western methods and materials.
I knew from a young age that I wanted to perform. I went to an arts camp called Brookdale Arts Camp, in New Jersey, from the time I was 6, and then I was a counselor there through high school.
A martial arts practice hall, a dojo, is a place you go to practice being the best you can be. But the true combat in a dojo is not between one person and another as most people believe it to be. The true combat in a martial arts practice hall is between the people within ourselves.
Well, we have two major goals. The most important one is to get the station arm on board the station, because that's this really milestone in the space station building since from now on they will be using this arm to continue building the space station.
Those who are to follow the arts should have a training in what is called poverty. Given a comfortable middle-class start in life, the artist is almost sure to end up by becoming a bellyacher, constantly complaining because the public does not rush forward at once to proclaim him.
... if we take the universe of 'fitting,' countless coats 'fit' backs, and countless boots 'fit' feet, on which they are not practically fitted; countless stones 'fit' gaps in walls into which no one seeks to fit them actually. In the same way countless opinions 'fit' realities, and countless truths are valid, tho no thinker ever thinks them.
You do not become a ''dissident'' just because you decide one day to take up this most unusual career. You are thrown into it by your personal sense of responsibility, combined with a complex set of external circumstances. You are cast out of the existing structures and placed in a position of conflict with them. It begins as an attempt to do your work well, and ends with being branded an enemy of society.
If the foundation is firm the building can withstand calamities. The practice of yoga is the foundation so that the self is not shaken under any circumstances.
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