A Quote by Martin Fleischmann

Usually, if you have a new idea, you very rarely break through to anything like recognizable development or implementation of that idea the first time around - it takes two or three goes for the research community to return to the topic.
It is very hard to enroll people in anything. And there is a very big difference between the words motivate and inspire. Motivation means we have an idea and we are going to carry through on that idea. We work hard at it, and we are disciplined. A highly motivated person takes an idea, goes out there, and won't let anybody interfere with them. Inspiration is exactly the opposite. If motivation is when you get hold of an idea and carry it through to its conclusion, inspiration is the reverse. An idea gets hold of you and carries you where you are intended to go.
Now, ideas are the raw material of progress. Everything first takes shape in the form of an idea. But an idea itself is worth nothing. An idea, like a machine, must have power applied to it before it can accomplish anything. The men who have won fame and fortune through having an idea are those who devoted every ounce of their strength and every dollar they could muster to putting it into operation. Ford had a big idea, but he had to sweat and suffer and sacrifice to make it work.
A great idea goes through three stages on its way to acceptance: 1) it is dismissed as nonsense, 2) it is acknowledged as true, but insignificant, 3) finally, it is seen to be important, but not really anything new.
If you didn't have patents, no one would bother to spend money on research and development. But with patents, if someone has a good idea and a competitor can't copy it, then that competitor will have to think of their own way of doing it. So then, instead of just one innovator, you have two or three people trying to do something in a new way.
I don't like to read anything on the radio for the very first time, because I don't have any notion of a reaction. When I read it out loud, then I get an idea of that, and more of an idea of how to read.
I think food trucks are the new answer to American fast food. The idea of raising two or three million dollars and going through red tape to open a restaurant, there's lots of barriers to success. There's a really easy jumping place for food trucks. It's very hip and acceptable for new chefs to open a food truck first.
Three ideas stand out above all others in the influence they have exerted and are destined to exert upon the development of the human race: The idea of the Golden Rule; the idea of natural law; the idea of age-long growth or evolution.
I want to reignite the idea of community with a positive conservatism in which the word 'development' has a new connotation, kind of like a social revolution.
That is - the use of the subjective camera is an idea that's been around in movies for a long, long time. And it's an idea that was seized on very notably by Sam Fuller and by Alfred Hitchcock in two different very kind of - otherwise very different styles of filmmaking.
The Girl Scouts is where I became acquainted with the idea that a woman can do anything. Learning that early on has a tremendous impact on the development of a young girl's personality. It had a huge impact on me. Girl Scouts is where I first learned about philanthropy and fell in love with the concept of helping others-in my troop this was very important. We did a lot of community service like picking up trash and feeding the homeless. Loving humankind was something that echoed throughout my time at Girl Scouts.
I don't need to feel 100% safe, but I have to feel like there's room for me to go a little bit insane if I'm going to have good ideas. Because a good idea is a new idea and if you start going around like, "I have this new idea!" most people are gonna be like, "I've never heard that before, that sounds fishy."
I did cocaine for about a year around the time of Sgt Pepper. Coke and maybe some grass to balance it out. I was never completely crazy with cocaine. I'd been introduced to it and at first it seemed OK, like anything that's new and stimulating. When you start working your way through it, you start thinking: 'Mmm, this is not so cool an idea,' especially when you start getting those terrible comedowns.
Ninety percent of the research comes first. I mostly blunder around reading stuff and talking to smart people until an idea batters or oozes its way through to my narrative brain.
I have a good idea every two years. Give me a topic, I will give you the idea!
If we have come up with a creative decision and somebody comes up with another idea, you do have to get into the depths of it and ask: "Is it a better idea? Or is it a different idea?" That can be hard. But that's the type of conversation the director and I will have, or as part of our creative groups. So with that in mind, it's hard to keep a budget in line. It's like in life, if you've ever built anything for the first time you're usually better at it the second time.
In the creative industries, there are few things more exciting than a zinger - a thought, idea, line, plot device - anything really, that just totally works in a fundamentally new and fresh way. It's like a uniquely lovely melody or a new taste idea in cooking. Something special, something new, something wonderful. They're also very rare.
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