A Quote by Martin Freeman

I'm not particularly affable in real life, I have to tell you. I've got that side to me, of course, but that's not all I am. — © Martin Freeman
I'm not particularly affable in real life, I have to tell you. I've got that side to me, of course, but that's not all I am.
People always ask me how I start a collection, and I tell them that I just look around. What am I tired of? What am I in the mood for? Real fashion change comes from real changes in real life. Everything else is just decoration.
I have a split - of my real home-life side that's real-life, and then the creative side that is not necessarily real-life, but it intersects my real-life so much.
Karol knows me, knows who I am in real life. Everyone has a different image of who I am, and she wants fans to see that side of me, and she is an amazing woman.
There are certain things about me that I will never tell to anyone because I am a very private person. But basically, what you see is who I am. I'm independent, I do like to be liked, I do look for the good side of life and people. I'm positive, I'm disciplined, I like my life in order, and I'm neat as a pin.
I think there are actors who are like, 'Okay, what am I doing, how am I doing it, what's the appeal? Tell me what to do, what are the exact lines from the script? Okay, I got it.' I am not that way. I would be a terrible bus driver. I'd want to be like, 'Oh, let's take this side road! Let's see what happens when we go down this back alley.'
When I am in trouble, eating is the only thing that consoles me. Indeed, as any one who knows me intimately will tell you, I refuse everything except food and drink. At the present moment I am eating muffins because I am unhappy. Besides, I am particularly fond of muffins.
I am the King of Frost Giants. And if you've seen any of the Frost Giants, you know that I am, of course, the Napoleon of Frost Giants. We've got some massive, fabulous guys who dwarf me and come in at around eight-and-a-half feet, nine feet. But, no. Can't you tell by the commanding presence? I am the boss.
I'm me on the mound. I like to show my emotion, be real aggressive and give everything I've got for one half inning. I don't have to act. What you see on the mound is what I am in real life.
The message I got from my father was that life is hard, but you just don't quit. I am grateful that I didn't let fear get the best of me. It only holds you back from possibilities and greatness. You've got to kick fear to the side, because the payoff is huge.
I received your letter of June 10th. I have never talked to a Jesuit priest in my life and I am astonished by the audacity to tell such lies about me. From the viewpoint of a Jesuit priest I am, of course, and have always been an atheist.
My life is good because I am not passive about it. I invest in what is real. Like real people, to do real things, for the real me.
I will not take up your time, dear boy, with telling you what is the matter with me. Life is brief, and you might pass away before I had finished. But I will tell you what is NOT the matter with me. I have not got housemaid’s knee. Why I have not got housemaid’s knee, I cannot tell you; but the fact remains that I have not got it. Everything else, however, I HAVE got.
My dad's side of the family ... they're a real bizarre bunch, going back to the original colonies. That side's got a real tough strain of alcoholism. It goes back generations and generations, so that you can't remember when there was a sober grandfather.
I think the biggest misconception about me is people really don't know who I really am. They see the party side of me, they see the crazy side of me. But I also have a laid-back side. You know, I'm chill, down to earth. If you want to grab a cup of coffee and just talk about life, I can do that.
Real life has always let me down. That's why I do the monologues. I have always said I would rather tell a life than live a life. But I have to live a life in order to tell one.
If you put a real leaf and a silk leaf side by side, you'll see something of the difference between Homer's poetry and anyone else's. There seem to be real leaves still alive in the 'Iliad,' real animals, real people, real light attending everything.
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