A Quote by Martin Freeman

I value being able to go into a record shop and people leaving me alone. — © Martin Freeman
I value being able to go into a record shop and people leaving me alone.
You sometimes get the feeling that people think getting back together after a hiatus to write and record a record is work, you know, arduous and unpleasant. Being able to write and record - that's a privilege. I don't forget the long days I spent working in a restaurant, when I wanted to be done so I could go home and work on a song.
Not all paintings are abstract; they're not all Jackson Pollock. There's value in a photograph of a man alone on a boat at sea, and there is value in painting of a man alone on a boat at sea. In the painting, the painting has more freedom to express an idea, more latitude in being able to elicit certain emotion.
People want the freedom. They want to be able to shop. If you don't like the shop trading hours and you're a shop owner, you don't have to open.
Ever since Freud, being alone has been considered something of a psychological failure. The point, according to Freudian theory, is to be able to love and connect. But I don't believe that at all. I think that being alone and being coupled and being in a group are all natural states in which people can thrive.
I don't wait on the music industry to qualify me or give me my paycheck. I go about my business as an artist and I believe that my value is in my product and in my art form, and that's why I can't be stopped, because I began producing my record by myself, without a record company.
I really value just being able to go out and grab a coffee or going to a movie and not have anyone recognize me.
People always say 'Etta, you know what your problem is? You're neither fish nor fowl. There is no place to rack you.' When I would go in a record shop, you might find one or two records by me in different stacks.
My favorite record shop was called Recommended Records, in South London near where I lived - they did all the original Faust reissues that came out in 1979, and they also did a lot of Sun Ra stuff. They were a great record shop.
Most umpires are good about letting the argument go, but you can only go on for so long, or go so far. If you don't leave it alone after a minute or two, you're in trouble. They want to keep the game moving, so they've got to throw you out. I had trouble leaving it alone, I guess.
It was very hard leaving the people I was very close to. But you also have to value opportunities that come. I had a strong mindset to withstand that and come alone to Spain.
As a kid growing up, I really hated being alone. I was always that kid that was like, 'Do you want to hang out? Let's go to the mall. Let's go to the movies. Let's go to the park.' I would call people and call people and call people. If I was alone when I wasn't at school, then there was something wrong.
I think being able to make the playoffs alone is an outstanding accomplishment alone and something not a lot of people get to experience in their careers.
Their leaving made me melancholy, though I also felt something like relief when they disappeared into the dark trees. I hadn't needed to get anything from my pack; I'd only wanted to be alone. Alone had always felt like an actual place to me, as if it weren't a state of being, but rather a room where I could retreat to be who I really was.
It's not sufficient in the internet age to communicate through the media; you have to be able to do it on the ground, door by door, coffee shop by coffee shop, shop floor by shop floor. You really have to do that as well.
What's happened is that every time I go to a convention or go into a comic book shop is that people drag me off into a corner and beat me up and go, 'When are you going to do Batman again?'
I think that every new record is a chance to... I think what it is for me is my heart and soul at that moment in time... I've always felt that just being able to make a record is a privilege.
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