A Quote by Martin Garrix

America is new to instrumental dance tracks on the radio, we were all so surprised "Animals" did so well on the radio. — © Martin Garrix
America is new to instrumental dance tracks on the radio, we were all so surprised "Animals" did so well on the radio.
Listen- my relationship with radio on a personal level is nothing but a one way love-a-thon... I love radio, I grew up on radio. That's where I heard Buddy Holly, that's where I heard Chuck Berry. I couldn't believe it the first time I heard one of my records on the radio, and I STILL love hearing anything I'm involved with on radio, and some of my best friends were from radio. But we were on different sides of that argument, there's no question about that.
To be honest, the search for a label was really weird, because some of the labels that you wouldn't expect to care about stuff like radio formats were the ones that did care. They were like, 'Yeah, we love this record, but what are we going to play on the radio?' And I was like, 'You don't have bands on the radio.'
Air America Radio was thinking of hiring me, but they discovered something in my past that didn't sit well with them: radio experience.
In Europe, it's more common to hear aggressive dance tracks on the radio.
It doesn't affect me because I look at the internet as the new radio. I look at the radio as gone. [...] Piracy is the new radio. That's how music gets around. [...] That's the radio. If you really want to hear it, let's make it available, let them hear it, let them hear the 95 percent of it.
I myself grew up when radio was very important. I'd come home from school and turn on the radio. There were funny comedians and wonderful music, and there were plays. I used to pass time with radio.
I've been in radio, God, twenty years. I started as a stand-up comedian. I wanted to be Carol Burnett when I was growing up. Radio was just kind of an accident. I did morning radio in my hometown of Buffalo, then went to Rochester, then Chicago, and then New York.
For years everyone looked toward the demise of radio when television came along. Before that, they thought talking movies might eliminate radio as well. But radio just keeps getting stronger.
Well over fifty years ago I was making radio loudspeakers and radio sets in Rochester, New York; pretty young and inexperienced; but we survived the depression.
People make a big deal about podcasts but it's basically an online radio show with the sound effects and sidekicks, but because you can curse it's more like satellite radio. Most of the podcasters were morning guys who were fired when Clear Channel decimated the radio landscape.
Liberal talk on the radio doesn't perform well because it is not a sequestered to a niche - it's everywhere in the media universe. Conservative talk radio, on the other hand, performs well because the radio is the only place, besides Fox News, that people can go for right-sphere opinions.
I turn on the radio. I'm a really big fan of old-fashioned dial radio. I love WNYC and NPR and also 88.3 in New York, which is the jazz station, and it's usually good for background music. If I'm not in New York City or by a traditional radio, I'll stream it on my phone, although I usually try not to look at my phone first thing in the morning.
Well, there were definitely elements of my rise in radio that had to do with my being black. But going back as far as Walter Winchell, Army Archerd and Hedda Hopper, legendary wags would grab a radio microphone and talk about what Errol Flynn and other stars were up to.
As a black artist in America, you know, it is so segregated as far as the radio goes and how they position music on the radio.
I still listen to Radio 1. I never really matured or progressed to Radio 2 or even Radio 4, like most of my contemporaries.
But you can make good radio, interesting radio, great radio even, without an urgent question, a burning issue at stake.
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