A Quote by Martin Garrix

In Europe, it's more common to hear aggressive dance tracks on the radio. — © Martin Garrix
In Europe, it's more common to hear aggressive dance tracks on the radio.
America is new to instrumental dance tracks on the radio, we were all so surprised "Animals" did so well on the radio.
Back then, Pro Tools only had four or eight tracks, so we couldn't actually hear all the tracks. We could only hear eight at a time, so if a song had 25 or 30 tracks, we wouldn't be able to hear it until we went into the studio an put it all on tape. The process was a little bit backwards.
In Europe, radio stations are owned by a variety of different entities, so there is less uniformity on radio programming and more opportunity for artists to get radio play and break overseas.
It doesn't affect me because I look at the internet as the new radio. I look at the radio as gone. [...] Piracy is the new radio. That's how music gets around. [...] That's the radio. If you really want to hear it, let's make it available, let them hear it, let them hear the 95 percent of it.
I hear odd tracks from my albums every now and again on the radio, or maybe a friend plays me something.
Find something you like, go into a room, close the door and read it aloud. Read it aloud. Everybody in the world who likes dance can see dance, or hear music, or see art, or admire architecture - but everybody in the world uses words who is not a recluse or mute. But the writer has to take these most common things, more common than musical notes or dance positions, a writer has to take some adverbs, and verbs and nouns and ball them up together and make them bounce.
Because journalists of Radio Free Europe and Radio Liberty - the former broadcast into Eastern Europe, the latter into the Soviet Union - accurately depicted daily life in communist Europe, in the local languages, using native journalists, millions of people tuned in to them.
Guys hurt us first! There's always more to the story. We don't have that on the radio. You can't turn on the radio and hear what's really going on. You're going to hear the perspective from a guy.
When I listen to Radio 1 and hear five different tracks in a row using old disco samples, well that's plagiarism, that's taking other people's music.
It's quiet. No cars. No birds. Nothing.' 'No radio waves,' said the Doctor. 'Not even Radio Four.' 'You can hear radio waves?' 'Of course not. Nobody can hear radio waves,' he said unconvincingly.
I hear some new artists that sound country but the record labels and country radio lean more toward a more rock feel for what gets signed to a label and played on the radio.
When I started off with 'Dance India Dance,' even the TV show people thought it won't be accepted. But with the talent that the show received, I was able to personally tutor dancers to amalgamate contemporary dance moves on Bollywood tracks.
We have more and more rules coming out of Europe telling us what to do, and I think people are getting a bit fed up with it. This was supposed to be a common market. I don't remember them ever saying we would be governed by Brussels and become a satellite of Europe.
In Africa, you only have an independent media in only eight African countries, so there is very little transparency. The best gift that rich countries can give Africa is Radio Free Africa and Radio Free Africa will do for Africa what Radio Free Europe did for Europe.
Aggressive capitalism leads the world, and we can see the results, especially in Europe: more poverty for the vast majority, and more riches for a few.
We have sown a seed... Instead of a half-formed Europe, we have a Europe with a legal entity, with a single currency, common justice, a Europe which is about to have its own defence.
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