A Quote by Martin Garrix

When I was nine, ten, I was super young, but I installed a program on my computer so I could start producing music. — © Martin Garrix
When I was nine, ten, I was super young, but I installed a program on my computer so I could start producing music.
When I was nine, ten, I was super young, but I installed a program on my computer so I could start producing music. I just started messing around. Then, after a couple of years, I got better. I actually learned some tricks, so I knew what I was doing instead of just messing.
I started producing in 1992 at the age of 15, when I found out music could be made with the help of a computer. I come from a musical family, but was always the family member not as good as the others. So once I found out I could release the music that was stuck inside my head through a computer, I knew I found what I wanted to do for the rest of my life.
I was nine, and I was shopping in a supermarket with my dad. There was this cereal, and it had a special promotion with a CD inside the box that had a really simple music-making program on it. I got it, and that opened my mind to being able to make music on a computer and seeing all the different layers.
What it is now is basically, I'll sit on my computer; I basically kind of play the computer as an instrument, I guess you could say. I guess I play the Mac. And how it works is, say - I have a program called 'Ableton Live.' And, you know, you'll open it up, and it's just blank. There's nothing there. And then you start.
I think the brain is essentially a computer and consciousness is like a computer program. It will cease to run when the computer is turned off. Theoretically, it could be re-created on a neural network, but that would be very difficult, as it would require all one's memories.
When I was young, I observed that nine out of ten things I did were failures. So I did ten times more work.
Everone has a pain thermometer that goes from zero to ten. No one will make a change until they reach ten. Nine won't do it. At nine you are still afraid. Only ten will move you, and when you're there, you'll know. No one can make that decision for you.
In the early 1970s, I headed to graduate school at the University of Utah and joined the pioneering program in computer graphics because I realized that's where I could combine my interests in art and computer science.
I first learnt to program a computer when I was nine, when my dad got a ZX80, but I think I would have had to be a particularly perspicacious child to have foreseen the iPad or Twitter!
Nine out of ten Americans believe that out of ten people, one person will always disagree with the other nine!
At nine or ten, I was playing guitar in music class in my elementary school in Jackson, Michigan. They had a guitar class, and I played with ten of my classmates, and we did a little guitar orchestra for a school music.
We have nine ships and in the next two years will have ten, eleven and twelve. So things are going very nicely and all because of that program that people thought was mindless and so forth.
One of the wonderful things about the computer is that it allows us to sit at home and either write a book or a computer program. Then we can send that program or book to companies that specialize in reproducing them and distributing them.
I got into dialogue because my parents began taking me to see plays from when I was very young. Too young, often, to understand the play I was watching: Who's Afraid Of Virginia Woolf when I was nine years old; That Championship Season when I was ten years old. But I loved the sound of dialogue; it sounded like music to me and I wanted to imitate that sound.
I write my own music. By myself, on a computer, I program guitar and piano.
The interests of the employers and the employed are the same nine times out of ten-I will even say ninety-nine times out of ten.
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