A Quote by Martin Garrix
When 'Animals' released, I still had one year left in school, so it was, like, super weird. I had number one in the U.K., and I would still go to school five days a week. They made, like, a schedule when I could tour and when I had to be home for tests. But my team made it happen. My parents, they helped as well.
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As it happens, Cumberland was on the verge of bankruptcy and had to give up football. But the villainous Heisman made it play a game that had been scheduled when Cumberland still had a team, or Heisman threatened to demand a $3,000 forfeiture fee that could well have put the school out of existence.
I had a couple of movies that I was passionately involved with that I could never get made. 'Richard Pryor,' I wrote for - gosh - over a year. That was close to getting made for two-and-a-half years after that. We're still pushing it, you know. It is weird. Suddenly you wake up and it's like, 'God, five years have gone by.
I had a couple of movies that I was passionately involved with that I could never get made. 'Richard Pryor,' I wrote for - gosh - over a year. That was close to getting made for two-and-a-half years after that. We're still pushing it, you know. It is weird. Suddenly you wake up and it's like, 'God, five years have gone by.'
My parents got me a sewing machine for Christmas during my senior year of high school. I made three pieces of clothing and had a fashion show at the end of the year, where we had to wear the clothes that we made. I took it to a whole new level; I made all my friends clothes.
If you go to school and practice for five days a week, it still gives you two days you can go and see your friends, you can go to the movies, you do whatever you like to do.
The reason I went to an all-boys Catholic school was because they had the best football team. We won the state championship my junior year. It was super-competitive. We lost in the semifinals my senior year, and it still haunts me.
I've had a lot of people who've said they can relate to the show and it's helped them through a lot of difficult times, especially the kids in high school now. Everyone kind of feels like an outcast in high school. Even if you're super popular, you still have issues.
I tried out for my basketball team every year and I never made it. You had to buy the shoes before you knew if you were on the team because it took a few weeks for them to ship. I bought the shoes every year, never once made the team, had a ton of high school basketball shoes.
I think I was, like, 23 or something [on The Breakfast Club]. I was the oldest of the five. Emilio [Estevez] and Ally [Sheedy] were a year younger. The only real difference was that Molly [ Ringwald] and Michael [Hall] still had to go to school. They could shoot, like, a half day. So a lot of my close coverage was done with Molly's stand-in, so Molly could do her schoolwork.
He was about to go home, about to return to the place where he had had a family. It was in Godric’s Hollow that, but for Voldemort, he would have grown up and spent every school holiday. He could have invited friends to his house. . . . He might even have had brothers and sisters. . . . It would have been his mother who had made his seventeenth birthday cake. The life he had lost had hardly ever seemed so real to him as at this moment, when he knew he was about to see the place where it had been taken from him.
A lot of people are like, "Oh, it's so much easier to be a supermodel now because you have Instagram. You don't even need an agency anymore." But that's just not true. I still had to go to all the castings, I still had to go meet all the photographers, I still had to do all of that to get to where I am now. There wasn't a step taken out just because I had social media. I still have 12-hour days, I still have even 24-hour days sometimes; I still have to do all those things. We don't work any less hard than the '90s models did when they were young.
In high school, my friend and I discovered that your cable-access station had to let you do whatever you wanted - it was like the Wild West. We made a couple weird things, like a tribute to the Zucker brothers, where we had a panel discussion about the Naked Gun movies. We wrote a script and made jokes that I'm sure were terrible and showed clips of The Naked Gun without permission.
I was in school with Dweezil Zappa, Frank Zappa's son, and we had a band. Only in L.A. could stuff like that happen. We would hang out in Frank Zappa's studio, and we released a single in 1982 on his label. I was 12, and that was the first recording experience I had. To top it off, Eddie Van Halen produced it.
Marvel actually sent me to a school in the Bronx where I had a fake name, and I put on an accent, and I went for, like, three days. I basically had to go to this science school and blend in with all the kids, and some of the teachers didn't even know.
In a certain sense I made a living for five or six years out of that one star [? Sagittarii] and it is still a fascinating, not understood, star. It's the first star in which you could clearly demonstrate an enormous difference in chemical composition from the sun. It had almost no hydrogen. It was made largely of helium, and had much too much nitrogen and neon. It's still a mystery in many ways ... But it was the first star ever analysed that had a different composition, and I started that area of spectroscopy in the late thirties.
My parents came from Calcutta. They arrived in Cambridge, much like the parents in my novel. And I found myself sort of caught between the world of my parents and the world they had left behind and still clung to, and also the world that surrounded me at school and everywhere else, as soon as I set foot out the door.
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