A Quote by Martin Heidegger
In Nietzsche's view nihilism is not a Weltanschauung that occurs at some time and place or another; it is rather the basic character of what happens in Occidental history.
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I rather shared Nietzsche's conception of the kind of individual that an ideal education should be cultivating. 'Authenticity' is not Nietzsche's term, but as used by some existentialists, it nicely captures what Nietzsche admired - the resolve of an individual person to forge his or her own 'table of values', to be emancipated from strait-jacketing conventions, traditions, and ideologies. As embodied in the 'Overman', authenticity is the antidote to 'bad' nihilism.
Nietzsche saw that ultimately the problem of nihilism is the problem of what to do with time: Why keep investing in the future when there is no longer any transcendental guarantor, a positive end of time as ultimate reconciliation or redemption, ensuring a pay-off for this investment? Nietzsche's solution - his attempted overcoming of nihilism - consists in affirming the senselessness of becoming as such - all becoming, without reservation or discrimination.
...What is at stake is civilization and humanity, nothing less. The idea that everything is permitted, as Nietzsche put it, rests on the premise of nihilism and has nihilistic implications. I will not pretend that the case against nihilism and for civilization is an easy one to make. We are here confronting the most fundamental of philosophical questions, on the deepest levels. In short, the matter of pornography and obscenity is not a trivial one, and only superficial minds can take a bland and untroubled view of it.
For some unknown reason, success usually occurs in private, while failure occurs in full view.
The external view [of agency] forces itself on us at the same time that we resist it. One way this occurs is through the gradual erosion of what we do by the subtraction of what happens.
In New York - not to say New York isn't a competitive place - but there's much more of a sense of, we're all here and some of us are up and some of us are down and some of us are in the middle, but we have a longer view of history and how it works, rather than just this week.
Science, Nietzsche had warned, is becoming a factory, and the result will be ethical nihilism.
One event makes another. What we anticipate seldom occurs; what we least expected generally happens; and time can only prove which is most for our advantage.
What I had found after the success of Karate Kid II is that an actor basically needs to - a primary requirement on my part as how I view as actor is you have to create a background, you have to create a history of that character and place her into the script that you're reading and carry on forward because you don't know how the future unfolds. This is what storytelling is you place a certain set of circumstances with a certain set of characters and you see what unfolds after an event happens.
Just to say "Well, God is dead" in one breath is to say, in another, that nothing means anything. This is the moment of nihilism. Nihilism is the affirmation of meaninglessness.
What happens when two people talk? That is really the basic question here, because, that's the basic context in which all persuasion takes place.
What is a scene? a) A scene starts and ends in one place at one time (the Aristotelian unities of time and place-this stuff goes waaaayyyy back). b) A scene starts in one place emotionally and ends in another place emotionally. Starts angry, ends embarrassed. Starts lovestruck, ends disgusted. c) Something happens in a scene, whereby the character cannot go back to the way things were before. Make sure to finish a scene before you go on to the next. Make something happen.
Die gefährlichste Weltanschauung ist die Weltanschauung derer, die die Welt nie angeschaut haben. (The most dangerous worldview is the worldview of those who have not viewed the world)
I think that's what I love about writing, is the ability to try to, in a sense, take a vacation from yourself and try to enter the sensibility of another time, another character, another place.
Every few hundred years in Western history there occurs a sharp transformation. Within a few short decades, society - its worldview, its basic values, its social and political structures, its art, its key institutions - rearranges itself. We are currently living through such a time.
It's interesting what happens when you take on a role, I think. What happens to me - without sounding too spiritual or too hippy, I guess - what happens, most of the time, you do a lot of research, and you get into the character, and at a certain moment, it's like the character takes over.
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