A Quote by Martin Heidegger
The world worlds, and is more fully in being than the tangible and perceptible realm in which we believe ourselves to be at home...By the opening up of a world, all things gain their lingering and hastening, their remoteness and nearness, their scope and limits. In a world's worlding is gathered that spaciousness out of which the protective grace of the gods is granted and withheld. Even this doom of the god remaining absent is a way in which the world worlds...All coming to presence...keeps itself concealed to the last.
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Thanks to art, instead of seeing one world only, our own, we see that world multiply itself and we have at our disposal as many worlds as there are original artists, worlds more different one from the other than those which revolve in infinite space, worlds which, centuries after the extinction of the fire from which their light first emanated, whether it is called Rembrandt or Vermeer, send us still each one its special radiance.
There are only two worlds - your world, which is the real world, and other worlds, the fantasy. Worlds like this are worlds of the human imagination: their reality, or lack of reality, is not important. What is important is that they are there. these worlds provide an alternative. Provide an escape. Provide a threat. Provide a dream, and power; provide refuge, and pain. They give your world meaning. They do not exist; and thus they are all that matters.
Gazing around, looking up at the lofty pinnacles above, which seemed to pierce the sky, looking down upon the world,-\-\it seemed the whole world, so limitless it stretched away at her feet,-\-\feeling that infinite unspeakable sense of nearness to Heaven, remoteness from earth which comes only on mountain heights, she drew in a long breath of delight, and cried: "At last! at last, Alessandro! Here we are safe! This is freedom! This is joy!
Why one writes is a question I can answer easily, having so often asked it of myself. I believe one writes because one has to create a world in which one can live. I could not live in any of the worlds offered to me - the world of my parents, the world of war, the world of politics. I had to create a world of my own, like a climate, a country, an atmosphere in which I could breathe, reign, and recreate myself when destroyed by living. That, I believe, is the reason for every work of art.
There is the physical world that we live in, which we perceive through the senses, but there are other worlds. Right in front of you there are other worlds, right now. Those worlds are as real, if you will, as the physical world.
The worlds in which we live at heart are one, The world "I am," the fruit of "I have done"; And underneath these worlds of flower and fruit, The world "I love,"--the only living root.
I had the idea that there were two worlds. There was a real world as I called it, a world of wars and boxing clubs and children'shomes on back streets, and this real world was a world where orphans burned orphans.... I liked the other world in which almost everyone lived. The imaginary world.
Beyond this world, beyond other worlds, be they inter-dimensional worlds or physical worlds, there is something else, which is the vast unknown eternity.
The worlds in which man is evolving as he treads the circle of births and deaths are three: the physical world, the astral or intermediate world, the mental or heavenly world.
The happiness which we receive from ourselves is greater than that which we obtain from our surroundings. . . . The world in which a person lives shapes itself chiefly by the way in which he or she looks at it.
We worship…the powers that speak to our souls, if it seems they do. We do so knowing there is more to the world, and the half-world, and perhaps worlds beyond, than we can grasp. We always knew that. We can’t even stop children from dying, how would we presume to understand the truth of things? Behind things? Does the presence of one power deny another? [p. 176]
Phonogram was explicitly about our world. It’s a fantasy which is happening around us all, unnoticed except for those who’ve fallen into its world. In a real way, it’s real. Conversely, W+D is much more overt. The appearance of the gods changes the world, and has changed the world going back. There’s the strong implication that certain figures in our world simply didn’t exist in The Wicked And The Divine‘s world, because they were replaced by a god.
I'd guess blockchains will be the full-blown backbone of virtual worlds - the system for currency, assets, identity, even governance - before doing the same in the 'real world.' Which is where I think we will end up in the real world eventually; it's just a matter of which goes first and how long until it's the case for both.
When you meditate and still your mind, you will gain the wisdom of knowing things in this world, in other worlds and beyond worlds - it just comes to you.
The modern world lies under a pervasive sense of anguish, of being abandoned, or at least experiencing God as absent. Yet events that seem to turn our lives upside down and inside out are part of God's redemptive plan, not only for us, but for the world in which we live. God may be preparing a great awakening for the world, if God can find enough people to cooperate in this mysterious plan.
This is a good world. We need not approve of all the items in it, nor of all the individuals in it; but the world itself-which is more than its parts or individuals; which has a soul, a spirit, a fundamental relation to each of us deeper than all other relations-is a friendly world.
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