A Quote by Martin Henderson
You are always invested in a film, but there is always a different feeling you get when you are portraying a character that is based on real life and you are re-telling events that actually took place.
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The challenge is always in portraying characters who've led a very different life from your's as you get to work on the character.
For me to play any true person in a film based on a true story, I always want to make sure that it doesn't mock and it certainly doesn't trivialize the events that took place.
I think dancing always took me to a different place. It was hard and it was a struggle, but it took me to the kind of place I wanted to live in. It wasn't real life.
Grain isn't structured like a screen door that you're looking through, but pixels are. Film-based grain is just all over the place, one frame totally different from the next. So your edges are coolly sharp and have a different feeling, an organic feeling rather than this mechanic feeling you get with digital.
When I sing the songs, there's a color tone and a place, and it's not a place that I remember in reality. It's usually based on a photo that I took - 'cause those photos don't look like the real world. The film distorts them, and the colors get exaggerated.
The telling of stories, like singing and praying, would seem to be an almost ceremonial act, an ancient and necessary mode of speech that tends the earthly rootedness of human language. For narrated events always happen somewhere. And for an oral culture, that location is never merely incidental to those occurrences. The events belong, as it were, to the place, and to tell the story of those events is to let the place itself speak through the telling.
There are a lot of pros to doing a film, as far as it helping your film career, and it is completely different financially. But theatre is the only place where you get to actually be the character, and nobody is going to come around and change it later.
Derek, my character, in 'Chhichhore' is actually based on the director's real life senior in engineering college and I had no clue about it till he took me to Indian Institute of Technology Bombay.
The odd thing about being a writer is you do tend to lose yourself in your books. Sometimes it seems like real life is flickering by and you're hardly a part of it. You remember the events in your books better than you remember the events that actually took place when you were writing them.
Tragedies are always discussed as if they took place in a void, but actually each tragedy is conditioned by its setting, local and global. The events of 11 September 2001 are not exception.
I think any film that is based on life or real events you want it to be accurate but what really matters is that it's truthful. That is not always the same thing. You really want to convey the spirit of the enterprise rather than ticking every single factual box.
I've always wanted to put my drag character in film because you can have total control over what you're projecting, what image you're portraying.
I always like when things are loosely based on real events. That always makes it more interesting because there's a lot of research you can do.
It's always scary when you're doing a sequel to a film, because you don't want to just repeat the first film in a different location like most sequels. You want to do something totally different, and something that actually expands the world of the main character.
The scariest people to turn a movie over to are always the people who are drawing up the poster, because that's the first impression it's going to make. And very often it's portraying a very different film from the one the actors actually did.
My stand-up has always been very character-based. I'm not really the kind of person that's like, 'Hey, here's what's on my mind! Tip your waitress!' I would create the jokes based on the character I was playing. It was always a performance-based thing for me.
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