A Quote by Martin Henderson

It's a tough accent. It's difficult for actors who are not Kiwis. — © Martin Henderson
It's a tough accent. It's difficult for actors who are not Kiwis.
I know Asian actors out there won't even audition for a role that have an accent. But for me, I was the kid with an accent. I still have an accent to some degree.
One of the things that I miss about Canada is that even the strangers, you have an immediate rapport, there's just an understanding that we're all good people, let's be nice to each other. And Kiwis have that. I find the Kiwis have that.
I didn't want to be on screen not nailing an American accent. It's an insult to an American! There are plenty of great American actors who can already do an American accent, so me, coming in and stealing their roles, the one thing I have to perfect is the accent. So for years I practiced. And we're lucky because the whole world is raised on a library of American movies. I would pretend to be Jim Carrey, and, I say Robin Williams now because he's in my mind, but those actors really inspired us to be crazy and be theatrical.
It's my mission to get the New Zealand accent into a Hollywood show. I'm proud of the way we talk, and I'm here to represent it. Kiwis are everywhere: they're in every city of the world. I've checked. We have a voice... it's a bit of a funny one at times, but it's one that I want to promote.
People say I've 'retained' my Cockney accent. I can do any accent, but I wanted other working-class boys to know that they could become actors.
The East Texas accent is a famously difficult accent to do.
I've heard other actors saying they don't want to play a character with an accent at all. To me, that's kind of an insult to somebody like me who did have an accent.
It's funny because when I'm outside Australia, I never get to do my Australian accent in anything. It's always a Danish accent or an English accent or an American accent.
As a kid I decided that a Canadian accent doesn't sound tough. I thought guys should sound like Marlon Brando. So now I have a phony accent that I can't shake, so it's not phony anymore.
I speak with a Northern Irish accent with a tinge of New York. My wife has a bit of a Boston accent; my oldest daughter talks with a Denver accent, and my youngest has a true blue Aussie accent. It's complicated.
I did use my own accent in a play once. It's a very freeing, liberating experience. Actors are often asked to adopt a different accent, and sometimes a different voice, so when that's taken away and you don't have to think about it, that's a lovely thing.
Directing non-actors is difficult. Directing actors in a foreign language is even more difficult. Directing non-actors in a language that you yourself don't understand is the craziest thing you can possibly think of.
The accent got lost somewhere along the way. I'm a little embarrassed about it. When I arrived in LA I assumed I'd be able to put on the American accent. It proved difficult so I had six months working with a dialect coach and it's become a habit.
I've been banging on about doing stuff in Birmingham for years and years, and everyone says 'We can't, it's the accent thing.' For some reason it's a very difficult accent to get right, harder even than Geordie.
To direct actors is difficult. To direct actors in another language is more difficult, but directing non-actors in another language is one of the craziest things that I have done and one of the most rewarding experiences I have had.
I have trouble sometimes watching actors - even when they do a great job - with an accent. It kind of removes me, somehow. And maybe at some point, yeah, it could be a really cool experience. It's not something that I consciously think, "Oh yeah, I want to do a movie with an accent." Not to say that it couldn't happen.
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