A Quote by Martin Henderson

There's something incredibly primal about facing something treacherous but doing it anyway. — © Martin Henderson
There's something incredibly primal about facing something treacherous but doing it anyway.
I think there's something about a character facing the huge problems and challenges of the contemporary world and meeting them with - head on with courage, allowing for darkness and mistake, but ultimately always moral. That's incredibly, incredibly inspiring, and that's honestly what I think.
There's something very terrifying about that and very primal about it. It's my belief that what horror does for people is that it provides that primal fear that, when we were wild hunter-gatherers, we had as part of our natural lives because maybe something was trying to hunt and gather you as well. We don't have that anymore in life and that's one of the things that horror films and action films provide for us.
There is something about dance that is actually a great tension. There is something that is incredibly freeing about dancing for dancers who do it. They tend to be really arty and interesting people in real life. At the same time, they have an incredibly rigorous training schedule.
From being at art college, I've always hated people that have the gall to think that they're being incredibly different when they're doing something in a very acceptable way, something safe that they've seen someone else doing.
Who says you need to wait until you 'feel like' doing something in order to start doing it? The problem, from this perspective, isn't that you don't feel motivated; it's that you imagine you need to feel motivated. If you can regard your thoughts and emotions about whatever you're procrastinating on as passing weather, you'll realise that your reluctance about working isn't something that needs to be eradicated or transformed into positivity. You can coexist with it. You can note the procrastinatory feelings and act anyway.
I'm incredibly articulate, thoughtful and moral, and I think about what I do. I want to be known for doing something good.
I always keep myself busy. I'm writing. Or I'm creating something. Or I'm doing stuff with the kids. I'm up incredibly early in the morning; I go to bed incredibly late at night.
As a child I was attracted to Tarzan and everything that had to do with jungles. It seemed to me -- and this is in retrospect -- that there was something primal, something right about it. Tarzan represented a pure being, somehow before the fall.
Doing funny scary is something that is rarely good and rarely works, and it's also something that's incredibly hard to market.
There is something about dance that is actually a great tension. There is something that is incredibly freeing about dancing for dancers who do it. They tend to be really arty and interesting people in real life.
I detest symbolic protest, as it is an outcry of weak, middle-of-the-road, liberal eunuchs. If an individual feels strongly enough about something to do something about it, then he shouldn't prostitute himself by doing something symbolic. He should get out and do something real.
Adventure is just about doing something you’ve never done— doing it with enthusiasm and curiosity: doing something difficult with passion.
If they're not talking about you, you're not doing something; you're not doing anything. So if they're talking about you, you may be doing something right. And when they talk bad about you, you just use it for motivation.
Since it could be done what was the use of doing it, and anyway you always have to stop doing something sometime.
The possibility of an Oscar is something I definitely think about and the fact that I can even say that is just a blessing. It's something I would be incredibly honored to be a part of.
When doing a series, I look for something that has an idea you can think about, something that I'm noticing and aware of and thinking about, because when you're doing a series, you think about more than just jokes... you know, when you're doing a comedy, you think about what's going to reflect people's experiences, in a way.
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