A Quote by Martin Kemp

I joined Spandau Ballet not because I wanted to be the best musician in the world, but because I wanted to be Elvis Presley, Marlon Brando. — © Martin Kemp
I joined Spandau Ballet not because I wanted to be the best musician in the world, but because I wanted to be Elvis Presley, Marlon Brando.
Marlon Brando changed everything for actors. After him, everyone wanted to be Marlon. No one wanted to be a type: they all wanted to display versatility in every role.
When I was in high school in the '50s you were supposed to be an Elvis Presley, a James Dean, a Marlon Brando or a Kingston Trio type in a button-down shirt headed for the fraternities at Stanford or Cal.
I think Jerry Lee is sad. As a musician, he was far more talented than Elvis Presley. Everybody down in Memphis knows that. Elvis became a movie star because he was beautiful. Not that Elvis wasn't talented, but Jerry Lee Lewis was incomprehensibly talented as a musician.
That's my idol, Elvis Presley. If you went to my house, you'd see pictures all over of Elvis. He's just the greatest entertainer that ever lived. And I think it's because he had such presence. When Elvis walked into a room, Elvis Presley was in the f***ing room. I don't give a f*** who was in the room with him, Bogart, Marilyn Monroe.
I was in a movie with Marlon Brando. Now, I didn't have any scenes with Marlon Brando, but I had scenes with Martin Sheen and was around Dennis Hopper, who was a child actor in the studio system and was enamored of James Dean, as was Martin, and they were all sort of disciples of Brando.
There are these mythic unicorn-y tales of method acting, but Marlon [Brando] wanted to have a good time.
The thing is, I've always wanted to be a star. I've always wanted to be an Elvis Presley or a Tupac - like, a huge icon.
Well, it was interesting because when I was going to do it the first time in my head was Leonardo DiCaprio [for Chris] and Marlon Brando was going to play the character that Hal Holbrook eventually played. But then when it wasn't to be and there was no promise that it ever would be I think some part of me didn't want to attach specifics to it anymore - actors or anything else - because I wanted to see it made that much more badly.
I actually was a ballet dancer - I studied ballet from three until 13 - but like very seriously, that's what I wanted to do. I wanted to be a contemporary ballet dancer. I wanted to go to Juilliard.
The first time I met Brando was on a street corner. I was 14. He was walking down the street, and I saw him coming, and I thought, 'It's Marlon Brando.' And he was wearing what turned out to be his outfit from 'On the Waterfront,' because he was shooting.
If you're in the heyday of rock and roll and movies, and that's where I grew up. We didn't have to look for it. We didn't have to create angst. We didn't have to create desire. We didn't have to say, see we were screwed, my generation, because we wanted to be The Beatles or Elvis Presley. That ain't going to happen. So we always had this thing to reach for.
When we were kids growing up in Liverpool, all we ever wanted to be was Elvis Presley.
This is Graceland. Home of the most famous musician in the world.” “Michael Jackson lived here?” “No, dummy,” Carter said. “Elvis Presley.
I wanted to say to Elvis Presley and the country that this is a real decent, fine boy, and wherever you go, Elvis, we want to say we've never had a pleasanter experience on our show with a big name than we've had with you.
I joined Nike because I wanted to be the best female athlete ever.
Most actors are like, 'I want to be more like Marlon Brando.' But when I was a little kid, I just wanted to be an action hero! Then I grew up, and my interests were different.
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