A Quote by Martin Kemp

It's fun being on a film set full stop. — © Martin Kemp
It's fun being on a film set full stop.
In a sense, being a full-time writer is less fun because there's no office to go to anymore, there's no set routine, there's no schedule. It can be quite isolating.
My other creative outlet is knitting; aside from being fun, it is my antidote to the film business: I have full creative control, there is no development process, and I can self-finance.
I think quite often, being on the new set is not what you expect. The most serious film can be the most fun. The one that's supposed to be fun can be the most serious. I don't think there are any hard-and-fast rules. I just think it really depends on your director and what the general vibe is.
The way you set up for a sequel is by having a successful film. The focus is on making a successful film, and making a film that travels around the world, and that people enjoy and have fun with, and that people are able to escape with.
I love the entire process of being on the set and being able to create a character. It's so much fun. In 'Think Like a Man,' I have a very small part. They told me it wasn't a big budget, but I don't care about any of that. I'll do it for free simply because I love being on the set with other creative people.
What the majority of American children needs is to stop being pampered, stop being indulged, stop being chauffeured, stop being catered to. In the final analysis, it is not what you do for you children but what you have taught them to do for themselves that will make them successful human beings.
When we made 'Shaun of the Dead,' it was our first feature, and we were just lucky to make a film, full stop.
On 'Euphoria,' it's so fun because we're all the same age, so being able to hang out and go out together and go to different events together has been so fun compared to always being the youngest on set, which was really fun, but it's like, you're going to go home to your husband or wife, and I'm going to go home to my dog.
If you don't have fun doing the film, then the results of the film will never give you any fun.
On 'Friday,' I had a big trailer, and we would have a barbecue going and music playing. It was a fun set. There was too much involved for 'The Hangover' to be a fun set. They're trying to get money.
When I started, every film got a full theatrical distribution. Today, almost no low budget films, maybe two or three a year, will get a full theatrical distribution. We've been frozen out of that, which means they must be aware that for a full theatrical distribution it either has to be something like Saw or some exploitation film of today or an extremely well made personal film.
My experience of children on a film set, especially on a big film set like the 'Potter' one, is not wholly positive.
My film school is making movies. But, I do think that being an actor has served me immensely, as both a writer and director, in terms of knowing what is playable and what will be fun to play, for actors, and also how to communicate to actors on set, and not screw them up and get them in their head.
I'd love to set up shop somewhere and develop projects - film, TV, digital would be a fun thing to do.
There's a real danger in trying to stay king of the mountain. You stop taking risks, you stop being as creative, because you're trying to maintain a position. Apart from anything else that really takes the fun out of it.
In many shamanic societies, if you came to a medicine person complaining of being disheartened, dispirited, or depressed, they would ask one of four questions: 'When did you stop dancing? When did you stop singing? When did you stop being enchanted by stories? When did you stop being comforted by the sweet territory of silence?'
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