I was in L.A. with my wife in a restaurant, and I spotted my great hero David Bowie at another table. Of course I wasn't going to bother him. Then I felt a tap on my shoulder, and it was Bowie, and he squatted down to talk to me. David Bowie came down to my level - so gentlemanly.
I'm a big Otis Redding fan, Al Green, Stevie Wonder, Marvin Gaye. My hero is David Bowie. But I like the Beatles, the Stones.
I didn't love David Bowie. Sure, I loved a lot of his songs, like everybody else, and, like everybody else, I had an incarnation of Bowie that I loved best - in my case, the solemn 'art-rock' Bowie of the late Seventies.
Bowie is my dad's stage name, so I was never, ever called Zowie Bowie. The tabloids liked that because it rhymed.
No hero is a hero if he ever killed someone! Only the man who has not any blood in his hand can be a real hero! The honour of being a hero belongs exclusively to the peaceful people!
We have these rules, the 'hero rules.' Like, a hero doesn't slouch. A hero walks proudly with his head up. A hero walks with a purpose. A hero's always a gentleman.
David Bowie used to cover loads of people, and there was an element of "David Bowie did it, so we wanted to do it," because we're kind of obsessed [with him].
David Bowie is my biggest inspiration. Pretty much the only thing that stayed the same with Bowie was his eyes. Everything else constantly changed, from his sexuality to his songs.
I met David Bowie when I was 14, and he became a hero to me - because he was an artist, and because he was a genius who had the time to be kind. I'd never met such an extraordinary artist before, and I haven't since - the world will be a greyer place without him.
I saw David Bowie in 'Labyrinth' when I was seven or eight. I told my mom I wanted a Bowie record, so we traveled to the mainland, which was, like, a three-hour trip, and I bought 'Let's Dance' and 'Tonight.' 'Let's Dance' blew my little mind. I became obsessed with it.
David Bowie emerged as a rock star in the late '60s. And as Ken Tucker wrote, "In the face of the hippy era's sincerity, intimacy and generosity, Bowie presented irony, distance and self-absorption. His song 'Changes' announced the arrival of a new counterculture," unquote.
The hero wanders, the hero suffers, the hero returns. You are that hero.
It is said that no man is a hero to his valet. That is because a hero can be recognized only by a hero.
Dost thou know what a hero is? Why, a hero is as much as one should say, a hero.
The contemporary hero, the mythical pattern in the imitation of whom we would live, remains as yet undefined. We have no hero; what is more to the point, we suspect hero worship.
You are a vain fellow. You want to be a hero. That is why you do such silly things. A hero!... I don't quite know what that is: but, you see, I imagine that a hero is a man who does what he can. The others do not do it.