A Quote by Martin Kemp

When Take That came around my band had just come to an end and I was settling into acting life. — © Martin Kemp
When Take That came around my band had just come to an end and I was settling into acting life.
When I was born, the umbilical cord came wrapped around my neck, so when I came out, I wasn't breathing. The cord had cut off my oxygen - not the entire time, just at the end, when my mom was giving birth. When I came out, I wasn't conscious, so they had to work on bringing me back. It was a crazy moment.
James Brown came from that hard, rough life that I came from. He took the blues and added rhythm to it. And he always had the most funkiest band; I liked the way he took his words and mixed it in with the band.
A lot of the music is the kind of thing I grew up with, listening to it with my parents. So there was a band in London called the BBC Big Band, and I sang with them. And I had never done a big band before, and it was just so fantastic and I had such a good time...so that's how it all came about
I've never worked with an acting coach, but my parents had acting classes and I grew up around them my whole life just because I didn't have a babysitter.
At Hofstra, I got a very well rounded education. I studied acting, but they wouldn't let me just study acting. I had to take classes in play analysis, directing, producing. I had no idea this would ever be relevant. And, of course, it's what I used the rest of my life.
I think some of my inspiration came from just being around music. My family was into music. My uncle had his own band and my father use to sing in my uncle's band. If you want to go to the music influences we could be here all day. That's everybody from Michael Jackson all the way up to people in the game now that inspire me.
I love acting. Anchoring and dancing have come to me because of acting. I came here to be an actor. All others are just an extension of it.
I had a wife and children. I was mostly working in painting and decorating and then taking the occasional acting job as they came along. At that stage in your life you have to think about your priorities. It looked like I was going to have to take the building more seriously and give up acting.
My life had become a catastrophe. I had no idea how to turn it around. My band had broken up. I had almost lost my family. My whole life had devolved into a disaster. I believe that the police officer who stopped me at three a.m. that morning saved my life.
I always tell kids, in high school or acting students, to do something else around acting, or not around it, just in your life that is of service.
The Roman Empire came to an end, but the Roman people didn't come to an end, so I see the American Empire coming to an end just as other empires have come to an end.
I was trying to become a legitimate trumpet player, and I had a scholarship to Eastman School of Music. I was really on my way. But I didn't take the scholarship. I got sidetracked, because when summers came around, I started playing with a rock-and-roll band.
Around the time that Girls Aloud was at its biggest, I was offered some huge acting roles in America. I decided to stay loyal to the band rather than take those other opportunities. Sometimes I wonder whether I should have just taken them.
I came on the intro with 'The Rapture.' If you know what the rapture is, it's the coming of Jesus, and I had to take it off because of what happened...I had the destruction, the bombs, and...the world coming to a end, so it had to come off.
Because I came into acting late, my references come from real life. That's my biggest inspiration. It's probably the reason I moved back to New York. I'm just a lot more inspired by real life than I am by depictions of real life.
The band set up in January and just started rehearsing. If there was a song, we'd just rehearse it as a band, and it would get arranged as a band, and it got changed around a lot.
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