A Quote by Martin Kemp

I think improvisation is a skill, that if you learn it at a really young age then you can use it for the rest of your life, whether that's acting or singing. — © Martin Kemp
I think improvisation is a skill, that if you learn it at a really young age then you can use it for the rest of your life, whether that's acting or singing.
I learned at a very young age that music teaches you about life. When you're in the midst of improvisation, there is no yesterday and no tomorrow — there is just the moment that you are in. In that beautiful moment, you experience your true insignificance to the rest of the universe. It is then, and only then, that you can experience your true significance.
I think it's really important for every young person to work in a kitchen because you learn a life skill.
Writing is the great skill, the creative skill. The acting is more an interpretative skill. And the thrill for me is the moment when I think of something. And then the challenge is how to get that funny idea to work in terms of the structure and that kind of thing, which is - and that's what I really love doing.
I think [music and acting], they are connected, all that stuff. It's your emotional self, is pretty much how you do it, I think, from whatever place you do it, whether you're acting or you're singing.
I have said it often and I will say it again: I believe you learn to read when you are young, then read to learn for the rest of your life.
I was cursed with age, really. You do that stupid thing at 12 years old when you say something and it kind of sticks with you for the rest of your life. So, I believe I said I wanted to be a fishery manager. In hindsight, I think acting could be a better route.
I think, when you're a young composer, you're told constantly that what you're supposed to do is figure out what your voice is. "What is your thing supposed to sound like?" You know: "What's the thing you do," that everyone can recognizably tell from a long distance is you and then you're supposed to be in search of that marker and you're supposed to find it and you're supposed to live there for the rest of your life. And it seemed to me, from a young age, that was what I was encouraged to do. You find a sound and that's your sound! That's what you do.
Life is first boredom, then fear. Whether or not we use it, it goes, And leaves what something hidden from us chose, And age, and then the only end of age.
I don't care if someone is new to acting or experienced in acting: you always learn something from them. It's just like people in life - whether they're young or middle-aged or old, you always learn something from someone.
You do your job, you come home, and then like try and drown out the rest. I think it's a really important mindset to have, especially if stuff starts quickly and you're young. Because the rest of it is scary.
From a very young age, I was singing and acting and performing for my family.
I definitely want to put my kids in gymnastics at an early age, whether that's what they want to or not. Gymnastics just builds such a great fundamental strength at a young age, and they get great; they learn how to move with their body. I think that can translate to any sport later in life.
When you're aware, from a young age, of how something plays in public, it makes you a young entrepreneur, whether you like it or not. I call most teenagers 'young entrepreneurs' because from a young age we're aware that our social media is building our brand. And if, when you're 13, you're concerned with building your brand, then "like" disparities matter.
Singing and acting are very similar. Singing makes you reach into your deepest feelings. Singing is an extension of everything that you do when you're acting.
On your first film, you think these are going to be your closest friends for the rest of your life. You form a bond, but then you go back to the rest of your life.
I think you couldn't do this role or you couldn't be Frankie Valli himself unless you had a natural falsetto. And I had sort of discovered it by accident as a child or a young adult when you realize you have a special skill that you don't really have any use for you, and you just take it out at parties or to amuse your friends or to annoy your girlfriends.
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