A Quote by Martin Kemp

As a teenager, I used to carry the equipment for Gary's band, so I was kind of like his roadie. Every night after a gig, I'd go to bed dreaming of being in the band myself.
So, we went from being an Athens band to being a Georgia band to being a Southern band to being an American band from the East Coast to being an American band and now we're kind of an international phenomenon.
I had an old band in Scandinavia, the beginning of Mercyful Fate, so it reminds me of my roots as a teenager. We used to play songs like Grinder and all that. It's really like being a teenager again. (Laughs)
When Spandau were at the peak, there was a lot of pressure on us as brothers that kind of saved the band for years. If there was ever a moment where the band might explode, it was left to me and Gary to go off and have the biggest argument - I remember having proper fist fights with him in the 80s - and that got rid of the tension.
I first decided that I could make a career of MMA after I decided to take it seriously and not act like a teenager in some band, but fully commit myself like a professional. Roughly, when I decided to up and move in the middle of the night from Omaha, Neb. to Denver, Colo. for proper training.
What does surprise me, though, is the amount of attention this band [Guns'n'Roses] has garnered 11 years after the original lineup broke up. That's an interesting phenomenon. It was even interesting back in the day. I mean, [we were] this glorified garage band. It was a great band, but it was not the kind of band you expected to become what it has.
I was in a band called Episode Six with Roger Glover, which was more of a harmony band, really. At one gig, there were a few dodgy characters leaning up against the wall of the venue - and we ended up joining their band. Purple was the talk of every musician in the country - they had something new and very exciting.
I was in every band class I could get in, like after school jazz band and marching band, and that's where I really learned to read music from elementary all the way through junior high and high school.
I feel like once you go with a band, it's hard to go back. I just don't see myself performing without a band.
I'm seeing myself as an outsider a little bit - definitely when I started the band. I knew what band's name meant and nobody else really did, so I'd be on stage every night and say, "Hello, we're Art Brut" - basically saying that we were rejects. But I mean, I didn't really sing, it did feel a bit like we were outsiders. It was a bit tongue-in-cheek when I first named the band that, but then we slowly turned into that - like a self-fulfilling prophecy.
We became a band that was kind of a big band, kind of a band that quite uncool people listen to, people a lot like me. I've realized that's a much more beautiful fate than the plan I had.
There's a good sarcasm and a camaraderie that comes after being in a band. And we've known each other forever. We've never been a band that fought or argued. As a songwriter, I'm really happy that the boys support me and contribute and that, but I've always wanted to be under the band Stereophonics.
There's always a Van der Graaf audience that wants to hear the band's sound. And totally fair enough. Why not? It's a band. You like the band, you like the band.
My idea for our band is to be influenced by something different for every album. So it's almost like making a new band with every record we make I think. That's kind of the path we're headed down now anyway.
Most singers begin with a band and then go solo. I started making music on my own and subsequently chose to carry on as part of a band.
I like myself. I think I'm cool. But I think when you're in a band you take on a role within the band, and I think people over the course of years can identify those roles as almost being bigger than just the individual. I don't know. It's kind of hard to talk about.
I've accepted the fact that Limp Bizkit is my band, one that I'm a part of, a band that I've built from the beginning. It does me no good to be in somebody else's band playing their music, like Marilyn Manson or Korn. Being in Limp Bizkit allows me to be myself.
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