A Quote by Martin Kemp
The violence in 'EastEnders' is a lot more dangerous than the violence in 'Family.' It becomes dangerous when it is softened, like in 'The A-Team.'
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Films don't cause violence, people do. Violence defines our existence. To shield oneself is more dangerous than trying to reflect it.
I used to struggle a lot with the depiction of violence in 'EastEnders.' I had more meetings with producers about that than anything else. Because it's kind of cartoon violence, and I worry when my little boy watches it.
The truth is that cowardice itself is violence of a subtle type and therefore dangerous and far more difficult to eradicate than the habit of physical violence.
I must remind you that starving a child is violence. Suppressing a culture is violence. Neglecting school children is violence. Punishing a mother and her family is violence. Discrimination against a working man is violence. Ghetto housing is violence. Ignoring medical need is violence. Contempt for poverty is violence.
We are convinced that non-violence is more powerful than violence. We are convinced that non-violence supports you if you have a just and moral cause...If you use violence, you have to sell part of yourself for that violence. Then you are no longer a master of your own struggle.
I think American audiences are quite interesting in that they can handle almost any amount of violence, but the moment the violence becomes sexual violence it immediately becomes an issue.
In some people's eyes, nudity is so much more dangerous than violence. I never really understood that.
Since violence is largely a male pastime, cultures that empower women tend to move away from the glorification of violence and are less likely to breed dangerous subcultures of rootless young men.
We must realize that violence is not confined to physical violence. Fear is violence, caste discrimination is violence, exploitation of others, however subtle, is violence, segregation is violence, thinking ill of others and condemning others are violence. In order to reduce individual acts of physical violence, we must work to eliminate violence at all levels, mental, verbal, personal, and social, including violence to animals, plants, and all other forms of life.
Patriarchy requires violence or the subliminal threat of violence in order to maintain itself... The most dangerous situation for a woman is not an unknown man in the street, or even the enemy in wartime, but a husband or lover in the isolation of their home.
Fear is dangerous. It sparks violence much faster than anger.
One bleeding-heart type asked me in a recent interview if I did not agree that 'violence begets violence.' I told him that it is my earnest endeavor to see that it does. I would like very much to ensure - and in some cases I have - that any man who offers violence to his fellow citizen begets a whole lot more in return than he can enjoy.
The most dangerous thing I've ever encountered was a run-in with Boko Haram around 2007 in a small town in Nigeria. I got caught along with the photographer I was working with, the same one I worked with on the Afghanistan book, Seamus Murphy. We were caught in an attack by a mob after Friday prayers. And the level of violence was so extreme. It was more violent than any other mob violence I have ever seen.
My approach to violence is that if it's pertinent, if that's the kind of movie you're making, then it has a purposeI think there's a natural system in your own head about how much violence the scene warrants. It's not an intellectual process, it's an instinctive process. I like to think it's not violence for the sake of violence and in this particular film, it's actually violence for the annihilation of violence.
I did not know that the first step in any domestic violence relationship is to seduce and charm the victim. I also did not know that the second step is to isolate the victim. The next step in the domestic violence pattern is to introduce the threat of violence and see how she reacts. We victims know something you [non-victims] usually don't. It's incredibly dangerous to leave an abuser, because the final step in the domestic violence pattern is to 'kill her'. Over 70% of domestic violence murders happens after the victim has ended the relationship.
I'm so sick of seeing guns in movies, and all this violence; and if there was going to be violence in Pines, I wanted it to actually be narrative violence. I wasn't interested in fetishizing violence in any way of making it feel cool or slow-motion violence. I wanted it to be just violence that affected the story.
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